Charles Long: Minimal Surfaces_Ocean of Hours, Tanya Bonakdar, New York, NY

charles long - tanya bonakdar

Through the exploration of new processes and materials, Long endeavors to arrive at spatially and visually engaging works that aim to offer the viewer an open experience by eschewing external reference. These lively and poetic forms continue the formal language Long has been building for decades.

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The Jewel Thief, Tang Teaching Museum, Saratoga Springs, NY

tangmuseum-installview

Installation view The Jewel Thief explores new ways to think about and experience abstract art. Using divergent forms of display, the exhibition focuses attention on art’s intersection with the decorative and functional elements of architecture. Beginning in the museum’s atrium, the exhibition continues into the large Wachenheim gallery, filling the space with a diverse range of artwork, including painting, sculpture, textiles, wallpaper, chandeliers, video, and photography. Artwork is presented through the lens of several opposing […]

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VIEWLIST: I Can Read in Red, I Can Read in Blue, I Can Read in Pickle Color Too, Conceived by Douglas Melini

Nicholas Krushenick, Jungle Jim Lieberman, 1969, acrylic on canvas, 82 x 72 inches

Our first VIEWLIST exhibition is conceived by Brooklyn-based painter Douglas Melini.

Trying to make sense of color can be so difficult. I guess a big reason is that there has been very little written about it to help us out. I'm always grouping my experiences, and ideas about color together; making lists of my thoughts, categorizing them, hoping that somehow this process will help me achieve a better understanding of what color means to me.

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Tony Smith at Matthew Marks Gallery, Anish Kapoor at Barbara Gladstone Gallery, by Michael Brennan

If only everything were so black and white. The Tony Smith show at Matthew Marks was essentially all black, while the Anish Kapoor show next door at Barbara Gladstone, which was entitled “Whiteout”, was whiter than a teenage divas’ wedding cake. Both shows included heavyweight works by two sculptors mainly preoccupied with the matrimony of the material to the immaterial. Although the artists are generations apart (Smith died in 1980 at age 68 and Kapoor […]

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