Mark Dagley, Gabriele Evertz & Gilbert Hsiao in Buzz, Curated by Vik Muniz, Galeria Nara Roesler, Sao Paolo, Brazil

Gabriele Evertz, Four Grays Plus The Spectrum, 2011, Acrylic on canvas, 68 x 68 inches, MINUS SPACE

Buzz, Curated by Vik Muniz, Galeria Nara Roesler, Sao Paolo, Brazil
Featuring Mark Dagley, Gabriele Evertz, Michelle Grabner & Gilbert Hsiao

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Jump & Flow: An Interview with Gilbert Hsiao, by Brent Hallard, Visual Discrepancies blog, May 5, 2012

hsiao-quad

"I was aware of op as a historical movement of course; I was an art history major at Columbia before deciding to move into fine art. And op is one of the most distinguishable styles out there."

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Color on Color, Frost Art Museum, Florida International University, Miami, FL

karina peisajovich - frost art mus

Color on Color marks the inaugural exhibition of the collaboration of The Patricia & Phillip Frost Art Museum at Florida International University, Miami, and the Museum of Contemporary Art, Buenos Aires (MACBA). This exhibition will include works by Ilya Bolotowsky, Alexander Liberman, Carlos Cruz-Diez and Joel Stein, among many others.

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Carlos Cruz-Diez: Color in Space and Time, Museum of Fine Arts Houston, TX

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Installation view. February 6 – July 4, 2011 For more than five decades, Carlos Cruz-Diez (born 1923) has experimented intensively with the origins and optics of color. His wide-ranging body of work includes unconventional color structures, light environments, street interventions, architectural integration projects, and experimental works that engage the response of the human eye while insisting on the participatory nature of color. The MFAH and the Cruz-Diez Foundation, Houston, present the first large-scale retrospective of […]

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From Absolute to Minimal, Arevalo Gallery, Miami, FL

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Joaquin Torres Garcia Fresque Constructif au Grand Pain, 1929 December 3, 2010 – January 14, 2011 For its inaugural exhibition, Arevalo Gallery presents From Absolute to Minimal a group exhibition featuring works by Post-War Latin American artists and their international counterparts all of whose work was defined by the ultimate search for the Absolute. It was through Kazimir Malevich’s search for an artistic expression void of representation that the quest for the absolute was first […]

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Embracing Modernity: Venezuelan Geometric Abstraction, The Patricia & Phillip Frost Art Museum, Miami, FL

Mercedes Pardo, Un pequeno sobresalto, 1973

Mercedes Pardo, Un pequeno sobresalto, 1973 October 13, 2010 – January 2, 2011 Embracing Modernity: Venezuelan Geometric Abstraction presents a historical overview of the origins of Venezuela’s abstract movement focusing on its early developments dating from the late 1940’s, to the 1970’s. It includes works by artists who were responsible for the growth of the movement at the national and international level, particularly in Paris where many of them resided at the time. The show, […]

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Luce e Movimento (Light and Movement), Signum Foundation, Palazzo Donà, Venice, Italy

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Carlos Cruz-Diez, Chromosaturation, 1965-2010 Installation view May 22 – October 16, 2010 Luce e Movimento (Light and Movement) curated by Grzegorz Musial and Franck Marlot Artists: Martha Boto, Carlos Cruz-Diez, Horacio Garcia Rossi, Werner Graeff, Laszlo Moholy-Nagy, Julio Le Parc, Jozef Robakowski, Nicolas Schöffer, Jesus Rafael Soto, Gregorio Vardanega With the newly organized space of Palazzo Donà, the Foundation presents objects and sculptures, as well as installations and films in which light and movement become […]

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Beyond Painting, Galerie Lausberg, Toronto, Canada

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Installation views Participating Artists: Douglas Allsop, Dieter Balzer, Rafael Barrios, Michael Burges, Freddy Chandra, Carlos Cruz-Diez, Carlos Estrada-Vega, Brad Howe, Gilbert Hsiao, Jae Ko, Hans Kotter, Camill Leberer, Milen Miltchev, Manfred Mohr, Dany Paal, Jürgen Paas, Frank Piasta, Regine Schumann, Kane Shimoosake, Klaus Staudt, Gaby Terhuven, Wolfram Ullrich, Achim Zeman

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Carlos Cruz-Diez: The Embodied Experience of Color, Miami Art Museum, Miami, FL

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Carlos Cruz-Diez, Cromosaturación (Chromosaturation), 1965-2008 Three chromo-cubicles, site-specific environment (florescent lights with blue, red & green filters) Courtesy of Americas Society Gallery, New York Photo by: Arturo Sanchez March 19 – June 20, 2010 Miami Art Museum presents an exhibition of interactive works by Carlos Cruz-Diez (b. 1923, Caracas). Carlos Cruz-Diez: The Embodied Experience of Color marks the artist’s first exhibition to focus solely on sensory chromatic environments and interactive projects. Internationally known as a leading […]

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Carlos Cruz-Diez: (In)formed by Color, Americas Society, New York, NY

  Carlos Cruz-Diez, Maze of Chromosaturation and Chromatic Walkway, 1969 Public Intervention, Odeón Métro Station, Paris September 10 — December 13, 2008 Americas Society presents Carlos Cruz-Diez’s first solo show in a major United States cultural institution. Focusing on the relationship between color and perception, the exhibition seeks to correct the limited understanding and visibility of Cruz-Diez, one of Latin America’s Kinetic art masters. (In) formed by Color: Carlos Cruz-Diez will feature Cromosaturación, a site-specific […]

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Color! Die Farbe in der konkreten Kunst, Galerie Konkret Martin Worn, Sulzburg, Germany

  Carlos Cruz-Diez, Chromosaturation, 2008 Light installation, 260 x 750 x 350cm June 8 — July 13, 2008 Participating artists Aria Arvelaiz-Gordon, Carlos Cruz-Diez, Julian Gil, Jo Kuhn, Müller-Emil, Dany Paal, Keummi Paik-Bauermeister, Miriam Prantl, Sigurd Rompza, Peter Staechelin, Hans Steinbrenner, Marie-Thérèse Vacossin, Gido Wiederkehr, & Martin Wörn.

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Mark Dagley in INDICA, Nyehaus, New York, NY

  Painting by Mark Dagley November 8 — December 22, 2007 Nyehaus presents INDICA.  Acknowledged as the first experimental art space in London, John Dunbar’s Indica gallery, in existence from November ’65 – November ’67, was born into a far more uncynical time. Open for barely two full years, Indica (from ‘Indications’ – somewhere to go) set the controls for the heart of experimental art in Britain. During its short life, Indica encouraged collaboration and […]

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The Geometry of Hope: Latin American Abstract Art, from the Patricia Phelps de Cisneros Collection, Grey Art Gallery, New York University, New York, NY

  Waldemar Cordeiro, Idéia visível (Visible Idea), 1956 Acrylic on masonite, 59.9 x 60cm September 12 — December 8, 2007 The Geometry of Hope comprises some 125 works of art from the collection of Patricia Phelps de Cisneros (CPPC) and provides the most comprehensive scholarly overview to date of Latin American Geometric Abstraction from the 1930s-1970s. Organized chronologically, The Geometry of Hope will focus on key cities in the development of abstraction in the Americas: […]

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After Image: Op Art of the 1960s, Jacobson Howard Gallery

  Alexander Liberman, Omega IX, 1961 March 8 — April 28, 2007  In addition to being the Year of the Pig, it also appears to be the year of Op Art.  Another great survey exhibition including Yaacov Agam, Josef Albers, Richard Anuszkiewicz, Hannes Beckmann, Fletcher Benton, Karl Benjamin, Francis Celentano, Tony Conrad, Carlos Cruz-Diez, Benjamin Cunningham, Gene Davis, Jose de Rivera, Julio Le Parc, Leroy Lamis, Alexander Liberman, François Morellet, Kenneth Noland, Larry Poons, Bridget […]

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Hartmut Böhm interview with Matthew Deleget

Hartmut Bohm interview with Matthew Deleget, MINUS SPACE

Hartmut Böhm, Quadratrelief 32, 1968 Plexiglas, 127 x 127 x 5.5 cm Peter C. Ruppert Collection Museum im Kultur-speicher, Würzburg, Germany The following interview was published on MINUS SPACE in February 2004 in conjunction with Hartmut Böhm’s spotlight exhibition. Matthew Deleget: I would like to begin our interview – your first published in English – with a brief discussion of the art climate in Germany directly following World War II. You were born in Kassel, […]

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