Mark Dagley & John Nixon in Elementary Painting, Kunstmuseum St. Gallen, St. Gallen, Switzerland

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An orange surface on a baking sheet with a simple white frame, or an orange accent on a small-scale canvas...? What is the deciding factor that differentiates painting and crafts as art forms? How do today's artists deal with the starting point of painting since this problem appeared to have been long resolved but is challenged once again by each generation? These are the kind of questions to which the Elementary Painting exhibition at the Kunstmuseum St. Gallen devotes itself: It confronts the classic colour field paintings with situations which initially determine the paintings by their borders.

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The Indiscipline of Painting: International Abstraction from the 1960s to Now, Warwick Arts Centre, Coventry, England

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Bernard Frize, Suite Segond 100 No 3, 1980 Household paint on canvas 51 x 64 inches  January 14 – March 10, 2012 The Indiscipline of Painting is an international group exhibition including works by forty-nine artists from the 1960s to now. Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last […]

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The Indiscipline of Painting: International Abstraction from the 1960s to Now, Tate St Ives, St Ives, England

mary heilman

Mary Heilmann, Primalon Ballroom, 2002 October 8, 2011 – January 3, 2012 The Indiscipline of Painting is an international group exhibition including works by forty-nine artists from the 1960s to now. Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last 50 years. It goes on to demonstrate the way in […]

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VIEWLIST: I Can Read in Red, I Can Read in Blue, I Can Read in Pickle Color Too, Conceived by Douglas Melini

Nicholas Krushenick, Jungle Jim Lieberman, 1969, acrylic on canvas, 82 x 72 inches

Our first VIEWLIST exhibition is conceived by Brooklyn-based painter Douglas Melini.

Trying to make sense of color can be so difficult. I guess a big reason is that there has been very little written about it to help us out. I'm always grouping my experiences, and ideas about color together; making lists of my thoughts, categorizing them, hoping that somehow this process will help me achieve a better understanding of what color means to me.

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Carl Ostendarp: Pulled Up: RISD Museum, Providence, Rhode Island

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  Carl Ostendarp, Aaarrgh, 2009 (detail) February 13 – August 23, 2009 The RISD Museum of Art presents Carl Ostendarp, “Pulled Up,” an exhibition in its Lower Farago Gallery that not only borrows its title but also its optimism from the 1977 Talking Heads song of the same name. “Pulled Up” will feature works chosen by the artist from the Museum’s collection together with new paintings of his own. Ostendarp (American, b.1961) has taught and […]

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Studio Show 2006, David Reed Studio, New York, NY

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Guy Goodwin installation view June 16-24, 2006 When Guy Goodwin re-stretched his painting C-Swing (1974) at my studio earlier this year it looked so good, that we decided to have a little show of his work. In the office, to keep his paintings company, Ulrike Müller has installed my collection of question mark paintings, and Dean Daderko has selected an illustrious group of lunch guests. Please join us for an opening reception on Friday, June […]

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