Arshile Gorky: 1947, Gagosian Gallery, New York, NY

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Installation view. May 6 – July 1, 2011 Centered on the recent discovery of Untitled (Pastoral), a painting from 1947 that has never before been exhibited, “1947” includes paintings and drawings executed by the artist during the last year of his life. Untitled (Pastoral) was found in 2010 during the reframing of the painting Pastoral from the same series. The former was set behind Pastoral on the same stretcher, and remained covered for sixty-four years, […]

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Becoming Modern in America: Life Magazine 1936-1972 & New Paintings by Loren Munk

Detail of Life Magazine, August 8, 1949

December 11, 2010 - January 29, 2011

MINUS SPACE is pleased to announce the exhibition Becoming Modern in America. The twofold exhibition will feature more than 20 vintage issues of Life magazine spanning the years 1936-1972, as well as two recent paintings by Brooklyn, New York-based painter Loren Munk.

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Adolph Gottlieb: A Retrospective, Peggy Guggenheim Collection, Venice, Italy

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Adolph Gottlieb, Burst 1973, 1973 Acrylic and enamel on canvas 213.4 x 152.4 cm Collection Adolph and Esther Gottlieb Foundation, NY September 4, 2010 – January 9, 2011 From September 4 to January 9, 2011 the Peggy Guggenheim Collection presents Adolph Gottlieb. A Retrospective, the first retrospective exhibition of this great American Abstract Expressionist painter to be shown in Italy. Like those previously dedicated to William Baziotes and Richard Pousette-Dart at the Peggy Guggenheim Collection, […]

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Dialogues in South and North American Abstraction: An International Symposium, Newark Museum, Newark, NJ

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John Ferren, Paris Abstract, ca. 1935 Oil on canvas, 25 ½ x 31 ¾ inches Collection Newark Museum, NJ Presented by the Newark Museum and the Colección Patricia Phelps de Cisneros Saturday, April 10, 2010, 10am – 5pm Billy Johnson Auditorium, Newark Museum The Newark Museum and the Colección Patricia Phelps de Cisneros present Dialogues in South and North American Abstraction, an important international symposium that explores the conceptual and aesthetic parallels that linked artists […]

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Arshile Gorky: A Retrospective, Philadelphia Museum of Art, Philadelphia, PA

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Arshile Gorky, Agony, c. 1947 October 21, 2009 – January 10, 2010 The Philadelphia Museum of Art will present a major traveling retrospective celebrating the extraordinary life and work of Arshile Gorky (American, born Armenia, c.1904-1948), a seminal figure in the movement towards gestural abstraction that would transform American art in the years after World War II. The first comprehensive survey of the work of this artist in nearly three decades, Arshile Gorky: A Retrospective […]

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Museum Exhibitions Cancelled Due to Recession

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  Work by Cildo Meireles From The Art Newspaper, June 6, 2009: Exhibitions axed as recession bites: US worst hit as sponsorship withdrawn and endowment wealth shrinks By Jason Edward Kaufman and Martin Bailey “An Art News paper survey suggests that a growing number of exhibitions are being cancelled because of the recession. We have identified over 20 important shows that have been axed (or, in a few cases, postponed) later this year or in […]

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Sharon Brant interview with Chris Ashley

  introduction Sharon Brant’s paintings and drawings embody a consistency of vision and persistence. Her work is the result of a long commitment to abstraction; it is structured and perceptual, human and beautiful, quiet and sensitive. Her career is distinguished by her long history as an exhibiting painter, by her support of the work by other artists, and by her position in the community.  — Chris Ashley, June 2005    The following interview with Chris […]

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Jake Berthot at McKee Gallery, by Michael Brennan

Cezanne baseballs. Who are these for? The thought crossed my mind while handling some regulation baseballs that were imprinted with images Cezanne’s bathers and his wife Hortense. They were for sale, along with the usual sundries, at the tail end of the exhaustive retrospective in Philadelphia eight years ago. Although absurd, I concluded that these baseballs were somehow an appropriately American cultural response. How else might our culture make use of Cezanne, whose work is […]

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