Color on Color marks the inaugural exhibition of the collaboration of The Patricia & Phillip Frost Art Museum at Florida International University, Miami, and the Museum of Contemporary Art, Buenos Aires (MACBA). This exhibition will include works by Ilya Bolotowsky, Alexander Liberman, Carlos Cruz-Diez and Joel Stein, among many others.
Poul Gernes, Zielscheibenbild / Target B, 1966-68 Opening: March 25, 2010 Curated by Renate Wiehager, “Pictures about Pictures. Discourses in Painting” – is the Daimler Art Collection’s exhibition title for the Museum Moderner Kunst in Vienna. About 130 works ranging from Classical Modernism and the post-war avant-garde via European Zero and Minimalism to international contemporary art are being presented. The exhibition is structured into thematic fields, each of which presents discursive references to historical and current […]
Nic Hess, König Gerrit [King Gerrit], 2007 (detail) September 21, 2007 — January 27, 2008 The Daimler Art Collection presents the exhibition Minimalism and Applied I at Daimler Contemporary, Haus Huth, Potsdamer Platz in Berlin. The exhibition explores the relationship that exists between minimalist formal language and applied art. As the subtitle of the exhibition suggests these ‘transfers’ can be useful for imagination, association and play. Our exhibition at the same time represents the […]
Alexander Liberman, Omega IX, 1961 March 8 — April 28, 2007 In addition to being the Year of the Pig, it also appears to be the year of Op Art. Another great survey exhibition including Yaacov Agam, Josef Albers, Richard Anuszkiewicz, Hannes Beckmann, Fletcher Benton, Karl Benjamin, Francis Celentano, Tony Conrad, Carlos Cruz-Diez, Benjamin Cunningham, Gene Davis, Jose de Rivera, Julio Le Parc, Leroy Lamis, Alexander Liberman, François Morellet, Kenneth Noland, Larry Poons, Bridget […]
Alexander Liberman, Sun II, 1962 Acrylic on canvas, 79.25 inches diameter, private collection Feb. 16 — June 17, 2007 The first comprehensive survey of Op Art by an American museum in more than 25 years, the exhibition examines the development and lasting influence of the international movement exploring perceptual phenomena in painting, sculpture, and light installation. Combining color and abstract patterns, the works produce optical illusions of pulsating movement through precise, mathematically-based composition. An […]
Hartmut Böhm, Quadratrelief 32, 1968 Plexiglas, 127 x 127 x 5.5 cm Peter C. Ruppert Collection Museum im Kultur-speicher, Würzburg, Germany The following interview was published on MINUS SPACE in February 2004 in conjunction with Hartmut Böhm’s spotlight exhibition. Matthew Deleget: I would like to begin our interview – your first published in English – with a brief discussion of the art climate in Germany directly following World War II. You were born in Kassel, […]