This winter Brooklyn painter and writer Stephen Maine sat down with artist Linda Francis to discuss her involvement in the fields of new music and performance within the greater context of her painting practice.
An exhibition focusing on the year 1941, a seminal moment in Alexander Calder’s career and the apotheosis of a decade of experimentation following his invention of the mobile in 1931.
Pablo Picasso lists the artists he recommends from the pivotal 1913 Armory Show in New York. June 3 – October 2, 2011 From the weekly shopping list to the Ten Commandments, our lives are full of lists—some dashed off quickly, others beautifully illustrated, all providing insight into the personalities and habits of their makers. The exhibition celebrates this most common form of documentation by presenting an array of lists made by a broad range of […]
John Storrs, Abstract Forms No. 1, 1917-1919 Granite and marble Collection of the Newark Museum of Art, NJ April 12 – July 9, 2011 John Storrs: Machine-Age Modernist is the first major museum exhibition of work by this important American sculptor in 25 years. Opening at New York University’s Grey Art Gallery on April 12, the show features most of the known works—some 40 items including sculptures, paintings, and drawings―from Storrs’s most innovative period, from […]
Alexander Calder, Blue and Yellow Sickles, 1960 Painted sheet metal and steel wire 32 x 60 inches February 8 – March 26, 2011 The underlying sense of form in my work has been the system of the Universe, or part thereof….What I mean is that the idea of detached bodies floating in space, of different sizes and densities, perhaps of different colors and temperatures, and surrounded and interlarded with wisps of gaseous condition, and some […]
Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the Fourth Dimension, 1915 Oil on canvas 26 x 17 inches March 2 – April 30, 2011 I have transformed myself into the zero of form and dragged myself out of the rubbish-filled pool of Academic Art. I have destroyed the ring of the horizon and escaped from the circle of things, from the horizon-ring which confines the artist and the forms of nature. –Kazimir […]
Installation view with works by Hanna Sandin, Polly Apfelbaum, Shio Kusaka, Jonas Wood June 27 – August 14, 2010 The work of six artists – Polly Apfelbaum, Peter Coffin, Shio Kusaka, Hanna Sandin, Martin Soto Climent and Jonas Wood – come together to evoke a contemporary mash-up of American artist Alexander Calder under his quote ‘Not Extractions but Abstractions’. Presented side-by-side their works obliquely summon Calder’s use of reductive forms, his serious yet playful endeavors […]
Paul Henry Ramirez, BLACKOUT (installation view), 2010 Mural, paintings, relief, furniture & lighting A Centennial Commission, Newark Museum, NJ Photograph by Raymond Adams Wednesday, April 28, 2010 Reception 6-7pm, Program 7-8pm Free, pre-registration required. Call 973.596.6550 or e-mail: firstname.lastname@example.org Newark Museum Billy Johnson Auditorium 49 Washington Street Newark, NJ 07102 www.newarkmuseum.org directions Matthew Deleget will moderate a discussion with an international group of contemporary artists including Lenora de Barros, Paul Henry Ramirez and Don Voisine. The […]
John Ferren, Paris Abstract, ca. 1935 Oil on canvas, 25 ½ x 31 ¾ inches Collection Newark Museum, NJ Presented by the Newark Museum and the Colección Patricia Phelps de Cisneros Saturday, April 10, 2010, 10am – 5pm Billy Johnson Auditorium, Newark Museum The Newark Museum and the Colección Patricia Phelps de Cisneros present Dialogues in South and North American Abstraction, an important international symposium that explores the conceptual and aesthetic parallels that linked artists […]
February 17 – May 23, 2010 The first exhibition to bring together South American and US geometric abstraction, Constructive Spirit: Abstract Art in South and North America, 1920s-50s features more than 90 works by 70 artists from Argentina, Brazil, the United States, Uruguay and Venezuela. Constructive Spirit examines the connections, both conceptual and personal, among abstract artists, suggesting parallels that cut across time, national borders, and a range of media, including paintings, sculptures, prints, photographs, […]
Our second VIEWLIST exhibition is conceived by Chicago-based artist Michelle Grabner.
"So I think what comes next is a web with big holes blown in it. A spiderweb in a storm. The turtles get knocked out from under it, the platform sinks through the cloud. A lot of the inherent contradictions of the web get revealed, the contradictions in the oxymorons smash into each other." -- Bruce Sterling, February 2009