VIEWLIST: There are many things in the air and all of them are for free, Conceived by Michelle Grabner

Xavier Veilhan, Le Grand Mobile, 2004-2006, metallic structure, engines, 25 PVC spheres, 
75 x 350 cm in diameter

Our second VIEWLIST exhibition is conceived by Chicago-based artist Michelle Grabner.

"So I think what comes next is a web with big holes blown in it. A spiderweb in a storm. The turtles get knocked out from under it, the platform sinks through the cloud. A lot of the inherent contradictions of the web get revealed, the contradictions in the oxymorons smash into each other." -- Bruce Sterling, February 2009

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Alexander Rodchenko & Lyubov Popova: Defining Constructivism, Tate Modern, London, United Kingdom

tatemodern-rod-pop

  Alexander Rodchenko, Popova’s Studio, 1924 Private collection © A Rodchenko & V Stepanova Archive February 12 – May 17, 2009 The Russian Revolution was accompanied by a remarkable period of artistic experiment known as Constructivism, which questioned the fundamental properties of art and asked what its place should be in a new society. The Constructivists challenged the idea of the work of art as a unique commodity, explored more collective ways of working, and […]

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Constructivismes, Almine Rech Gallery, Brussels, Belgium

alminerech-constructivismes

  Works by Burgoyne Diller January 23 – March 6, 2009 Featuring artists Matthias Bitzer, Liz Deschenes, Burgoyne Diller, Dan Flavin, Raymond Hains, Yuichi Higashionna , Gregor Hildebrandt, Akira Kanayama, Barbara Kasten, Camilla Low, Sherrie Levine, Kasimir Malevich, Laszlo Moholy-Nagy, Anthony Pearson, Florian Pumhosl, R.H. Quaytman, Eileen Quinlan, Anselm Reyle, Alexander Rodchenko, Haim Steinbach, Frank Stella & Katja Strunz.

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Interview with Richard Bottwin, by Rossana Martinez

The following interview was published on MINUS SPACE in March 2004 in conjunction with Richard Bottwin’s spotlight exhibition.   Rossana Martinez: I would like to start our interview at the beginning of your career. You came of age as an artist during the early 1970s in and around New York City. What kind of work were you making at that time? Were there any specific artists, exhibitions, or events that had a profound impact on […]

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