The present exhibition includes Standard paintings from the mid-1990s and Portrait(s) of a Standard from 2000, the latter, large-format silkscreens depicting the Standard(s) at an angle. Both the paintings and prints are installed on wooden blocks.
September 7 - October 27, 2012
MINUS SPACE is pleased to announce the exhibition Mark Dagley: Structural Solutions, the artist’s first solo exhibition of new paintings in New York City in 15 years. The exhibition will feature three oversized paintings – the artist’s largest works created to-date – which will be exhibited on flat aluminum blocks on the floor and leaned against the gallery walls.
March 26 - April 30, 2011
MINUS SPACE is delighted to announce the exhibition Li Trincere: Elements. This is the Manhattan-based painter’s first solo exhibition with the gallery. The exhibition will feature a pair of new shaped paintings and a suite of new large pastel drawings on paper.
Alan Uglow, 2002 Photo courtesy of Tom Warren Blog We just learned the sad news about painter Alan Uglow’s passing. We will post more information as soon as we have it.
Daniel Göttin, Transformer 2, 2008 After 2step, minimalpop, Painted Objects, Double Exposure, A Bit O’ White, My Eyes Keep Me In Trouble, Yo, Mo’ Modernism, With Your Eyes Only, COMPOSITE VISIONS is the ninth touring group exhibition organized by CCNOA, Brussels, Belgium. Since its last theoretical stance as a sublime yet powerful art form, creating a new -ism and ironically also stating the end not only of painting but possibly also of visual art in […]
Steven Parrino, Untitled, 1993 October 11, 2009 – January 3, 2010 The MAGASIN is starting its season with a portrait of the artist Olivier Mosset. The exhibition takes the form of a tribute, gathering works by different artists, but never showing Olivier Mossetʼs own work. The artists are of all generations, from Carl André to Stéphane Kropf including the famous group of artists 1m3 among the youngest. As a key figure of the artistic scene […]
Abstract artist and musician Mark Dagley has been working in New York and Europe for over twenty-five years. Drawing from various postwar art movements and developments: Op Art, Washington Color School, Monochrome Painting, as well as European modes of art making, such as Support/Surface and Radical Painting, Mark has created a diffuse, yet particularly American body of work. Last spring Mark retrieved a group of paintings he had in storage at his parents’ home in […]