Hartmut Böhm in Construction in Process 1981 – the community that came?, Museum Stzuki, Lodz, Poland

construction in process

The project Construction in Process 1981 – the community that came? refers to the legendary international exhibition opened in Łódź almost two months before martial law was introduced. Artists from Łódź, representing various art disciplines, invited 54 leading artists from all over the world to partake in the show and create art works here, on the spot.

Read more »

Formal 2010: Jose Heerkens & Cecilia Vissers, Waterland Museum, Purmerend, The Netherlands

waterland-formal2010

(left) Cecilia Vissers, Blacksod Bay, 2010 Steel, 2 x 95 x 93 x 0.8 cm (photo Peter Cox) (right) Jose Heerkens, Written Colours II, 2010 Oil paint on linen, 150 x 200 cm (photo Willem Kuijpers) May 20 – July 25, 2010 As in previous years, the Waterland Museum is organising an exhibition on current forms of concrete art. This time we present works by two female artists, both of whom have a strong affinity […]

Read more »

The Wind Makes the Waves: Cecilia Vissers, by Brent Hallard, Visual Discrepancies blog, May 25, 2010

visual-vissers

Brent: While artist-in-residence in the most western point of Ireland, Achill Island, you tapped in a description of the landscape: Dramatic, With Cliffs, An Ocean, And Totally Isolated. This is your work: my first impression. There is Nature in your pieces. And it took a tough wind and a heavy sea to set this all in motion. I see firm – more than firm, hard. Hard material that has cuts, often just a few. The […]

Read more »

Konkret: The Heinz and Anette Teufel Collection, Kunstmuseum Stuttgart, Stuttgart, Germany

stuttgart-teufel

Zdenek Sykora & Bridget Riley Richard Paul Lohse & Manfred Mohr October 3, 2009 – January 10, 2010 Heinz Teufel, the famous gallery owner and collector, died in 2007. He was a great patron of Concrete Art in Germany. From opening his first gallery in 1966 in Koblenz up to his 1998 activities in Berlin he consequently pursued a stringent gallery profile – independent of the fluctuating fashions of the art world. Including works by […]

Read more »

Hartmut Böhm interview with Matthew Deleget

Hartmut Bohm interview with Matthew Deleget, MINUS SPACE

Hartmut Böhm, Quadratrelief 32, 1968 Plexiglas, 127 x 127 x 5.5 cm Peter C. Ruppert Collection Museum im Kultur-speicher, Würzburg, Germany The following interview was published on MINUS SPACE in February 2004 in conjunction with Hartmut Böhm’s spotlight exhibition. Matthew Deleget: I would like to begin our interview – your first published in English – with a brief discussion of the art climate in Germany directly following World War II. You were born in Kassel, […]

Read more »