Russell Maltz: Painted / Stacked / Suspended, September 9 – October 28, 2017
On Paper, July 9 – August 13, 2016
Melissa Kretschmer & Russell Maltz: Plywood, July 11 – August 15, 2015
Neither Here nor There but Anywhere and Everywhere, June 22 – August 11, 2012
MINUS SPACE en Oaxaca: Panorama de 31 artistas internacionales, Multiple Cultural Venues, Oaxaca, Mexico, March 15 – April 30, 2012
Russell Maltz: The Ball Park Series, 1977-2012, March 2 – April 21, 2012

Russell Maltz (b. 1952, Brooklyn, NY) has exhibited work in solo and group exhibitions internationally, including in Switzerland, Austria, Germany, Denmark, Sweden, Israel, and Mexico. His recent solo exhibitions include Galerie Michael Sturm (Stuttgart Germany), Galleri Weinberger (Copenhagen, Denmark), The Atlanta Contemporary Art Center (Atlanta, GA), Galerie Schlegl (Zurich, Switzerland), and the Ringling School of Art and Design (Sarasota, FL).

His work is included in many public and private collections worldwide, including The Brooklyn Museum (New York), Yale University Art Gallery (New Haven, CT), Fogg Art Museum/Harvard University Art Museums (Cambridge, MA), Museum Moderner Kunst (Ottendorf, Germany), and the Gallery of Western Australia (Perth, Australia). His work has been reviewed in publications such as The New York Times, Artforum, Art in America, and Village Voice, among many others.

Russell Maltz’s sculptural projects often utilize stacked and painted commercial building materials to establish formal and physical relationships with existing architectures including college campuses, shopping centers, museums, and galleries. His studio-based and site-specific works continue to expand the legacies of conceptual and minimalist art, focusing on issues of scale, density, documentation, and systemic progressions. Large outdoor works allow Maltz to establish a dialogue with real estate developers and suppliers, as he borrows or buys quantities of cinder block and lumber for temporary use during the run of an exhibition. Afterwards, these materials (which have been altered with Day-Glo orange or yellow paint) are returned to their source, often used in local retail and home construction.

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