Gabriele Evertz

B. 1945 Berlin, Germany / Lives Brooklyn, NY

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Gabriele Evertz, Onward, 2020, Acrylic on canvas, 72 x 72 inches, #GE117

Gabriele Evertz, Onward, 2020, Acrylic on canvas, 72 x 72 inches, #GE117

Gabriele Evertz, Nocturnus, 2021, Acrylic on canvas, 72 x 72 inches, #GE118

Gabriele Evertz, Nocturnus, 2021, Acrylic on canvas, 72 x 72 inches, #GE118

Gabriele Evertz, Temple, 2021, Acrylic on canvas, 72 x 72 inches, #GE119

Gabriele Evertz, Temple, 2021, Acrylic on canvas, 72 x 72 inches, #GE119

Gabriele Evertz, Path, 2022, Acrylic on canvas, 72 x 72 inches, #GE120

Gabriele Evertz, Path, 2022, Acrylic on canvas, 72 x 72 inches, #GE120

Gabriele Evertz, Intervention / Summer, 2022, Acrylic on canvas, 72 x 72 inches, #GE121

Gabriele Evertz, Intervention / Summer, 2022, Acrylic on canvas, 72 x 72 inches, #GE121

Gabriele Evertz, Intervention, 2022, Acrylic on canvas, 72 x 72 inches, #GE122

Gabriele Evertz, Intervention, 2022, Acrylic on canvas, 72 x 72 inches, #GE122

Gabriele Evertz, Within These Gates, 2021, Acrylic on canvas, 72 x 72 inches, #GE123

Gabriele Evertz, Within These Gates, 2021, Acrylic on canvas, 72 x 72 inches, #GE123

Gabriele Evertz, Intervention #2, 2021, Acrylic on canvas over wood, 36 x 36 inches, #GE125

Gabriele Evertz, Intervention #2, 2021, Acrylic on canvas over wood, 36 x 36 inches, #GE125

Gabriele Evertz, Intervention #4, 2021, Acrylic on canvas over wood, 36 x 36 inches, #GE127

Gabriele Evertz, Intervention #4, 2021, Acrylic on canvas over wood, 36 x 36 inches, #GE127

Gabriele Evertz, Intervention #5, 2021, Acrylic on canvas over wood, 36 x 36 inches, #GE128

Gabriele Evertz, Intervention #5, 2021, Acrylic on canvas over wood, 36 x 36 inches, #GE128

Gabriele Evertz, Crossroads Choice, 2020, Acrylic on canvas over wood, 18 x 18 inches, #GE130

Gabriele Evertz, Crossroads Choice, 2020, Acrylic on canvas over wood, 18 x 18 inches, #GE130

Gabriele Evertz, Crossroads Patience, 2020, Acrylic on canvas over wood, 18 x 18 inches, #GE131

Gabriele Evertz, Crossroads Patience, 2020, Acrylic on canvas over wood, 18 x 18 inches, #GE131

Gabriele Evertz, Crossroads GGg, 2020, Acrylic on canvas over wood, 18 x 18 inches, #GE132

Gabriele Evertz, Crossroads GGg, 2020, Acrylic on canvas over wood, 18 x 18 inches, #GE132

Gabriele Evertz, ZimZum, 2019, Acrylic on canvas, 72 x 72 inches, #GE101

Gabriele Evertz, ZimZum, 2019, Acrylic on canvas, 72 x 72 inches, #GE101

Gabriele Evertz, Exaltation RYB, 2019, Acrylic on canvas, 72 x 72 inches, #GE102

Gabriele Evertz, Exaltation RYB, 2019, Acrylic on canvas, 72 x 72 inches, #GE102

Gabriele Evertz, Exaltation, GOV, 2019, Acrylic on canvas, 72 x 72 inches, #GE105

Gabriele Evertz, Exaltation, GOV, 2019, Acrylic on canvas, 72 x 72 inches, #GE105

Gabriele Evertz, Antidote, 2019, Acrylic on canvas, 72 x 72 inches, #GE108

Gabriele Evertz, Antidote, 2019, Acrylic on canvas, 72 x 72 inches, #GE108

Gabriele Evertz, Antidote Spectrum, 2019, Acrylic on canvas, 72 x 72 inches, #GE107

Gabriele Evertz, Antidote Spectrum, 2019, Acrylic on canvas, 72 x 72 inches, #GE107

Gabriele Evertz, The Friendship of Colors (Alberti), 2018, Acrylic on canvas, 72 x 72 inches, #GE106

Gabriele Evertz, The Friendship of Colors (Alberti), 2018, Acrylic on canvas, 72 x 72 inches, #GE106

Gabriele Evertz, From Yellow to Red over Bluegreen, ZigZag Series, 2019, Acrylic on canvas, 24 x 24 inches, #GE110

Gabriele Evertz, From Yellow to Red over Bluegreen, ZigZag Series, 2019, Acrylic on canvas, 24 x 24 inches, #GE110

Gabriele Evertz, There Will Be Singing, 2017, Acrylic on canvas, 60 x 60 inches, #GE99 - ON HOLD

Gabriele Evertz, There Will Be Singing, 2017, Acrylic on canvas, 60 x 60 inches, #GE99 - ON HOLD

Gabriele Evertz, I Dream of Spring, 2017, Acrylic on canvas, 60 x 60 inches, #GE98

Gabriele Evertz, I Dream of Spring, 2017, Acrylic on canvas, 60 x 60 inches, #GE98

Gabriele Evertz, LWG-A1, from the series London Work Group, 2017, Acrylic on paper, framed, 21.5 x 21.5 inches framed, 12 x 12 inches image, #GE111

Gabriele Evertz, LWG-A1, from the series London Work Group, 2017, Acrylic on paper, framed, 21.5 x 21.5 inches framed, 12 x 12 inches image, #GE111

Gabriele Evertz, LWG-E5, from the series London Work Group, 2017, Acrylic on paper, framed, 21.5 x 21.5 inches framed, 12 x 12 inches image, #GE113

Gabriele Evertz, LWG-E5, from the series London Work Group, 2017, Acrylic on paper, framed, 21.5 x 21.5 inches framed, 12 x 12 inches image, #GE113

Gabriele Evertz, With Your Brightness, 2016, Acrylic on canvas, 60 x 60 inches, #GE97

Gabriele Evertz, With Your Brightness, 2016, Acrylic on canvas, 60 x 60 inches, #GE97

Gabriele Evertz, Blue+Green (Tikkum Olam), 2015, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE81

Gabriele Evertz, Blue+Green (Tikkum Olam), 2015, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE81

Gabriele Evertz, Red+Black (Three Kings), 2015, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE77

Gabriele Evertz, Red+Black (Three Kings), 2015, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE77

Gabriele Evertz, (A-) Chromatic + RO, 2015, Acrylic on canvas over panel, 24 x 24 inches, #GE86

Gabriele Evertz, (A-) Chromatic + RO, 2015, Acrylic on canvas over panel, 24 x 24 inches, #GE86

Gabriele Evertz, Body Electric, 2015, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE79

Gabriele Evertz, Body Electric, 2015, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE79

Gabriele Evertz, Orange+Blue (Fermata), 2015, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE82

Gabriele Evertz, Orange+Blue (Fermata), 2015, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE82

Gabriele Evertz, Green-Red Passage, 2014, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE76

Gabriele Evertz, Green-Red Passage, 2014, Acrylic on canvas over panel, 60 x 60 inches, 153 x 153 cm, #GE76

Gabriele Evertz, Electric Fragment, The Black Room Series, 2014, Acrylic on canvas over wood, 60 x 60 inches, #GE69

Gabriele Evertz, Electric Fragment, The Black Room Series, 2014, Acrylic on canvas over wood, 60 x 60 inches, #GE69

Gabriele Evertz, (A-) Chromatics + V, 2015, Acrylic on canvas over panel, 24 x 24 inches, 61 x 61 cm, #GE84

Gabriele Evertz, (A-) Chromatics + V, 2015, Acrylic on canvas over panel, 24 x 24 inches, 61 x 61 cm, #GE84

Gabriele Evertz, (A-) Chromatic + BG, 2015, Acrylic on canvas over panel, 24 x 24 inches, #GE87

Gabriele Evertz, (A-) Chromatic + BG, 2015, Acrylic on canvas over panel, 24 x 24 inches, #GE87

Gabriele Evertz, (A-) Chromatic + Y, 2015, Acrylic on canvas over panel, 24 x 24 inches, 61 x 61 cm, #GE85

Gabriele Evertz, (A-) Chromatic + Y, 2015, Acrylic on canvas over panel, 24 x 24 inches, 61 x 61 cm, #GE85

Gabriele Evertz, Grays and Metallics (Aedicula), The Black Room Series, 2014, Acrylic on canvas over wood, 60 x 60 inches, #GE71 - ON HOLD

Gabriele Evertz, Grays and Metallics (Aedicula), The Black Room Series, 2014, Acrylic on canvas over wood, 60 x 60 inches, #GE71 - ON HOLD

Gabriele Evertz, Grays and Metallics (Tallit), 2014, Acrylic on canvas over wood, 36 x 36 inches, #GE72

Gabriele Evertz, Grays and Metallics (Tallit), 2014, Acrylic on canvas over wood, 36 x 36 inches, #GE72

Gabriele Evertz, Golden, Dark Passage Series, 2014, Acrylic on canvas over wood, 24 x 24 inches, #GE59

Gabriele Evertz, Golden, Dark Passage Series, 2014, Acrylic on canvas over wood, 24 x 24 inches, #GE59

Gabriele Evertz, (for Sonia D.), The Black Room Series, 2013, Acrylic on canvas over wood, 60 x 60 inches, #GE67

Gabriele Evertz, (for Sonia D.), The Black Room Series, 2013, Acrylic on canvas over wood, 60 x 60 inches, #GE67

Gabriele Evertz, Three Reds and Gray, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE64

Gabriele Evertz, Three Reds and Gray, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE64

Gabriele Evertz, Rosa, Dark Passage Series, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE60

Gabriele Evertz, Rosa, Dark Passage Series, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE60

Gabriele Evertz, Blue, Dark Passage Series, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE62

Gabriele Evertz, Blue, Dark Passage Series, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE62

Gabriele Evertz, D/L Messenger, Dark Passage Series, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE61

Gabriele Evertz, D/L Messenger, Dark Passage Series, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE61

Gabriele Evertz, Green, Dark Passage Series, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE63

Gabriele Evertz, Green, Dark Passage Series, 2013, Acrylic on canvas over wood, 24 x 24 inches, #GE63

Gabriele Evertz, Red Green Passage, Door to the East Series, 2013, Acrylic on canvas over wood, 18 x 18 inches, #GE65

Gabriele Evertz, Red Green Passage, Door to the East Series, 2013, Acrylic on canvas over wood, 18 x 18 inches, #GE65

Gabriele Evertz, 12 Green Blues + 8 Grays, Door to the East Series, 2013, Acrylic on canvas over wood, 18 x 18 inches, #GE54

Gabriele Evertz, 12 Green Blues + 8 Grays, Door to the East Series, 2013, Acrylic on canvas over wood, 18 x 18 inches, #GE54

Gabriele Evertz, R to W, The Black Room Series, 2012, Acrylic on canvas, 60 x 60 inches, #GE68

Gabriele Evertz, R to W, The Black Room Series, 2012, Acrylic on canvas, 60 x 60 inches, #GE68

Gabriele Evertz, Eight Grays + the Spectrum, The Black Room Series, 2012, Acrylic on canvas over wood, 60 x 60 inches, #GE66

Gabriele Evertz, Eight Grays + the Spectrum, The Black Room Series, 2012, Acrylic on canvas over wood, 60 x 60 inches, #GE66

Gabriele Evertz, Eight Grays + The Spectrum (Already It Is Dawn), 2012, Acrylic on canvas, 60 x 60 inches, #GE92

Gabriele Evertz, Eight Grays + The Spectrum (Already It Is Dawn), 2012, Acrylic on canvas, 60 x 60 inches, #GE92

Gabriele Evertz, Eight Grays + RYBG (After-Glow), 2012, Acrylic on canvas, 60 x 60 inches, #GE91

Gabriele Evertz, Eight Grays + RYBG (After-Glow), 2012, Acrylic on canvas, 60 x 60 inches, #GE91

Gabriele Evertz, Neon Shadows 1, 2022, Acrylic on canvas over wood, 24 x 24 inches, #GE133

Gabriele Evertz, Neon Shadows 1, 2022, Acrylic on canvas over wood, 24 x 24 inches, #GE133

Gabriele Evertz, Neon Shadows 2, 2022, Acrylic on canvas over wood, 24 x 24 inches, #GE134

Gabriele Evertz, Neon Shadows 2, 2022, Acrylic on canvas over wood, 24 x 24 inches, #GE134

Gabriele Evertz, Real Time, 2020, Acrylic on canvas over wood, 24 x 24 inches, #GE135

Gabriele Evertz, Real Time, 2020, Acrylic on canvas over wood, 24 x 24 inches, #GE135

Gabriele, Evertz, Twelve Hues and Thirteen Grays (Diaphanous), 2012, Acrylic on canvas, 60 x 60 inches, #GE93

Gabriele, Evertz, Twelve Hues and Thirteen Grays (Diaphanous), 2012, Acrylic on canvas, 60 x 60 inches, #GE93

Gabriele Evertz, Twelve Hues and Three Grays (Optic Drive), 2012, Acrylic on canvas, 60 x 60 inches, #GE94

Gabriele Evertz, Twelve Hues and Three Grays (Optic Drive), 2012, Acrylic on canvas, 60 x 60 inches, #GE94

Gabriele Evertz, Late Summer, 2021, Acrylic on canvas over wood, 18 x 18 inches, #GE136 - ON HOLD

Gabriele Evertz, Late Summer, 2021, Acrylic on canvas over wood, 18 x 18 inches, #GE136 - ON HOLD

Biography
Gabriele Evertz (b. 1945 Berlin, Germany; lives Brooklyn, NY) has exhibited her work in solo and group exhibitions internationally, including in Argentina, Australia, Brazil, France, Germany, Greece, Italy, New Zealand, United Kingdom, and the United States. Her recent museum exhibitions include the Columbus Museum (Columbus, OH), Heckscher Museum (Huntington, NY), Hillwood Art Museum (Brookville, NY), Louisiana Art & Science Museum (Baton Rouge, LA), MoMA PS1 (Long Island City, NY), Museo de Art Contemporáneo (Buenos Aires, Argentina), Osthaus Museum Hagen (Hagen, Germany), Patricia & Phillip Frost Art Museum (Miami, FL), and Ulrich Museum (Wichita, KS).

Evertz is a member of the prestigious American Abstract Artists, nominated by the late artist Mac Wells in 1996. Her work is included in many public collections worldwide, such as the Art in Embassies Program of the U.S. Department of State, British Museum, Brooklyn Museum, Columbus Museum of Art, Ewing Gallery / University of Tennessee Knoxville, Hallmark Collection, Harvard University Art Museum, Metropolitan Museum of Art, Mississippi Museum of Art, Museo de Art Contemporáneo (Buenos Aires), Museum of Fine Arts Boston, Museum of Modern Art / Library Special Collection, Museum Modern Art (Hünfeld), New York Public Library, New Jersey State Museum, Osthaus Museum Hagen, Phillips Collection, Princeton University Library, St. Lawrence University Art Museum, Stiftung für Konstruktive und Konkrete Kunst (Zürich), Whitney Museum of American Art, and Wilhelm Hack Museum, among others.

In addition to her painting practice, Evertz was Professor of Art, Painting in Hunter College’s Department of Art & Art History, NYC from 1990-2018. She is a key protagonist in the renowned Hunter Color School, alongside other color painters, including Vincent Longo, Doug Ohlson, Robert Swain, and Sanford Wurmfeld. Over the past fifteen years, Evertz has also curated several critically-acclaimed artist retrospectives and exhibitions, including Dual Current: Inseparable Elements in Painting and Architecture; Visual Sensations: Robert Swain Paintings, 1967-2010; Presentational Painting III; Seeing Red: An International Exhibition of Nonobjective Painting (co-curated with Michael Fehr); Set in Steel: The Sculpture of Antoni Milkowski; and Mac Wells: Light into Being (co-curated with Robert Swain).

Statement
My work investigates sensations and perceptions. The history and theory of color serve as basic tools of organization. My palette references the twelve hues of the color circle, plus black and white. My particular painting practice demands uniform precision of the painting facture that frees the observer to concentrate on color effects which suddenly and spontaneously alter with viewing distance and duration.

Informed by neuroscience and leaps of intuition my paintings aim to reveal a new and different visual experience by articulating an objective, thus universal, color language that is based on certain predications of the viewer’s response. But meaning remains open to subjective readings and color moves between reason and rapture.

Attentive viewing may turn from phenomenological moments to states of reflection which bring with it a heightened awareness of being in the world where vision, thought, and feeling concur.