Comments for MINUS SPACE

Comment on VIEWLIST: Ted Stamm in Context, Conceived by Bryan Granger by wholesale watches

wholesale watches — Wed, 22 Feb 2012 05:23:00 +0000

Exhibitions may also include ideas and images from disciplines outside of the visual arts.

Comment on Islands of Order in a Sea of Chaos, Vishal, Haarlem, The Netherlands by Jasper van der Graaf

Jasper van der Graaf — Thu, 19 Jan 2012 17:01:00 +0000

Thank you, Minus Space!

Comment on Katarzyna Kobro/ Lygia Clark, Muzeum Sztuki, Lodz, Poland by G E Lyon

G E Lyon — Sun, 15 Jan 2012 02:33:00 +0000

Nice to see Kobro’s less-known (early) works available on the ‘net.

Comment on Gabriele Evertz: Rapture by Vito Giacalone

Vito Giacalone — Wed, 23 Nov 2011 22:19:00 +0000

Dear Gabriele. I got the MINUS SPACE page of your work. I like your paintings very much. I have been a member of the American Abstract Artists for a long time. I have also been teaching color theory at the School of Visual Arts. This is the first time color theory was offered by SVA. Good luck with your show. Vito Giacalone

Comment on VIEWLIST: Ted Stamm in Context, Conceived by Bryan Granger by Mark Dagley

Mark Dagley — Fri, 11 Nov 2011 21:27:00 +0000

The restored Pioneer Zepher in Chicago.

Comment on Howard Hodgkin, Gagosian Gallery, New York, NY by Sam

Sam — Sat, 22 Oct 2011 18:48:00 +0000

“…it may take a year of preparation to execute a single and instantaneous brushstroke.” The above painting took 50 years to make. See how all those marks look like they were made with the same loaded brush in about 45 seconds, maybe without looking, maybe while talking on the phone or watching TV, just poking the back of a framed panel with a bristle brush? Nope. See, there is all this rigor there your eyes and mind can’t possibly grasp.

Comment on Portrait of the artist as a biker, Centre National d’Art Contemporain de Grenoble, Grenoble, France by Lucinda Piersol

Lucinda Piersol — Wed, 12 Oct 2011 21:14:00 +0000

In this motorcycle photo the shadow of the building comes down menacingly with the same gesture as the late black paintings. There’s a fatalistic irony in those shadows. Lucinda Piersol

Comment on Ted Stamm: Paintings by Mark Dagley

Mark Dagley — Sat, 08 Oct 2011 02:47:30 +0000

Great story, thanks!

Comment on Jason Hoelscher: Recent Paintings, Temporary Gallery Berlin, Germany by Connie Goldman

Connie Goldman — Sat, 01 Oct 2011 20:48:56 +0000

Good to see Jason’s work here!

Comment on Ted Stamm: Paintings by Dr. Norman & Marylyn Messite

Dr. Norman & Marylyn Messite — Wed, 28 Sep 2011 15:34:32 +0000

How excited we are to see the renewed interest in Ted Stamm’s life and art. We had the pleasure of knowing Ted personally for many years. As an interesting aside, being Ted’s dentist for many years, upon his wishes and insistence, when a porcelain crown was made for a lower back molar, half the tooth was black and the other half white. When the procedure was complete, Ted was thrilled. He promised this unusual crown would be our secret.

We have several of Ted’s paintings in our collection. No doubt our name must be entered in Ted’s documents. He was meticulous about who had his paintings and how they were to be shown.

So many years have passed without continued interest in Ted’s short but brilliant career. We are so happy that you are exploring his genius. We look forward to seeing his show at your gallery. If we can be of any further assistance, please contact us.

Dr. and Mrs. Norman R. Messite.

Comment on Radical Painting Group Photo by Charles O'Meara

Charles O'Meara — Fri, 16 Sep 2011 02:23:28 +0000

dale henry was my favorite instructor at the school of visual arts lo these many moons ago…i still remember a show he had high up in a gallery in the financial district where the paintings were clear gel on plexiglas…amazing

Comment on Conversations in Post-Minimalist Abstraction, Jim Kempner Fine Art, New York, NY by James Anthony Campbell

James Anthony Campbell — Mon, 29 Aug 2011 22:38:01 +0000

This looks kind of like an instagram image from a mobile phone. Not that interesting. I think my minimal ‘drained’ photograph is much more emotive but minimal and calming. What do you think?

Comment on Ken Weathersby: Time is the Diamond, Some Walls, Oakland, CA by Orépük

Orépük — Fri, 26 Aug 2011 06:08:18 +0000

Good luck and success, Ken, from France.

Comment on Analia Segal, Tapper-Popermajer Contemporary Art, Teckomatorp, Sweden by michael dalton

michael dalton — Thu, 11 Aug 2011 19:31:41 +0000

Excellent, for me surreal with bite. mick

Comment on De Wand De Ruimte, Mondriaanhuis, Amersfoort, The Netherlands by Roland Orépük

Roland Orépük — Sat, 23 Jul 2011 06:19:25 +0000

Beautiful, congratulations Jan.

Comment on Objectivity, ParisCONCRET, Paris, France by Karen Schifano

Karen Schifano — Fri, 22 Jul 2011 13:48:18 +0000

Thanks to you both! You’re the ones who made it possible (besides Richard)!

Comment on Ruth Pastine: Transcendent Boundaries, Cabana Home (in association with Edward Cella Art + Architecture), Santa Barbara, CA by ingrid

ingrid — Mon, 18 Jul 2011 18:24:59 +0000

Great post. I am a big fan of the artist FOOX. Speaking of collaborations, he did one with the Sanctuary Hotel. It’s like a Schrager-esque type of hotel but very supportive of the arts and fine art in particular. http://www.blackbookmag.com/article/new-york-preview-sanctuary-hotel/26360

Comment on James Kalm Visits Peter Halley’s Studio, Kalm Report, July 14, 2011 by Craig

Craig — Fri, 15 Jul 2011 23:06:21 +0000

Hey James, great work. I really enjoyed this tour around Halley’s studio. Living in Melbourne on the other side of the world, its little video snapshots like this that really help, instead of just looking at photos and reading about it. Thank you.

Comment on Justin Andrews: Monuments, USQ Arts Gallery, University of Southern Queensland, Toowoomba, Australia by Happenings: July 13 – July 17 | Gowanus Your Face Off

Happenings: July 13 – July 17 | Gowanus Your Face Off — Thu, 14 Jul 2011 01:39:16 +0000

[...] Minus Space: Justin Andrews - Monuments, USQ Arts Gallery, University of Southern Queensland, Toowoomba, Australia [...]

Comment on Objectivity, ParisCONCRET, Paris, France by Brent Hallard

Brent Hallard — Sat, 09 Jul 2011 18:50:32 +0000

This looks great Karen… best use of that particular part of ‘concret’ space I’ve seen so far!