Artist Talk: Carrie Pollack: Source Material, Minus Space, Brooklyn, NY

View of Carrie Pollack’s studio, Brooklyn, NY Saturday, February 25, 2012, 4-5pm Please join us on the final day of Carrie Pollack’s exhibition Witness for an hour-long conversation with the artist in which she will discuss the source materials for her recent work and greater studio practice. Refreshments to follow.
Jean-Luc Moulène: Opus + One, Dia:Beacon, Beacon, NY
New York, NY–Dia Art Foundation presents Opus + One, the first comprehensive museum exhibition in North America devoted to the work of Paris-based artist Jean-Luc Moulène. Commissioned by Dia, Opus + One will comprise objects and images created over the past two decades and will be on view at Dia:Beacon, Riggio Galleries, in New York’s Hudson Valley for one year.
Brian Griffiths: The Invisible Show, Vilma Gold, London, England

Filling the gallery space with concealed cuboid structures, Griffiths considers whether an exhibition can be an absurd feet of invisibility. The show will be of ‘readymades’, of sorts: The mass produced multiple in the form of the cuboid metal frames, and what Griffiths refers to as the ‘fabricated found object’ in the form of the tarpaulins covering them; these being singular, touched, expressive yet understated surfaces.
Notations: The Cage Effect Today, Hunter College Art Galleries, New York, NY

The Hunter College Art Galleries are pleased to present Notations: The Cage Effect Today, on view from February 17-April 21, 2012. As 2012 marks the centennial of John Cage’s birth, this exhibition commemorates the widespread effect of the artist’s six decades of assiduous, and relentless inventive creation on subsequent generations of artists
Material Occupation, University Art Museum, Albany, NY
New Materials, New Approaches, D. Wigmore Fine Art, Inc., New York, NY
Lori Ellison, McKenzie Fine Art, New York, NY
Doug Wheeler, David Zwirner Gallery, New York, NY
George Ortman, Constructions: 1949 – 2011, Algus Greenspon Gallery, New York, NY
Resonant Frequencies, Georgia Southern University, Statesboro, GA
Michael Scott: Black and White Line Paintings 1989-2011, Gering & Lopez, New York, NY

Over the last twenty five years my work has taken several forms of expression, from concentric circle or target paintings, to black and white line paintings, to photographs, to cartoon-inspired drawings, to paintings that can be described as psychedelic ‘candyland’ themed landscapes, to small thickly encaustic abstractions.
John Tallman, OK Harris, New York, NY
Christian Megert: a new space, Mayor Gallery, London, England

James Mayor invited Christian Megert to give his view of the origins of Zero and to explain his own contribution to the development of the group in this catalogue. What he produced is not a complete presentation. In the form of a scarce curriculum vitae, Megert recalls, without pathos, events, meetings and facts.
David Smith: Cubes and Anarchy, Wexner Center, Columbus, OH

The Wexner Center for the Arts is pleased to present David Smith: Cubes and Anarchy, the first major thematic exhibition devoted to the work of the renowned 20th-century American sculptor. Organized by the Los Angeles County Museum of Art, the exhibition brings together approximately 80 works from throughout Smith's career.
Colorific, Ecole des Arts de Braine-l’Alleud, Braine-l’Alleud, Belgium
Grid List, Center Galleries, College for Creative Arts, Detroit, MI
Dana Bell / Alasdair Duncan / Don Voisine, Theodore:Art, Brooklyn, NY
Soto: Paris and Beyond, 1950–1970, Grey Art Gallery, New York University, New York, NY

A key figure of the Paris avant-garde in the 1950s and ’60s, Jesús Soto (1923–2005) is widely recognized for his groundbreaking innovations in color theory, serial composition, and movement in art. Less well-known is the wide range of styles and mediums that he explored early on. Drawing inspiration from optics and serial music, Soto employed repeating geometric forms and superimposed surfaces to convey a sense of physical displacement.
Lotte Lyon: Souterrain, Galerie Lisaruyter, Vienna, Austria
Nancy Holt: Sight Lines, Tufts University Art Gallery, Medford, MA
Ward Jackson 1928-2004: A Survey of Five Decades, David Richard Contemporary, Santa Fe, NM

Ward Jackson was born and grew up in Petersburg, Virginia. He studied painting at the Richmond Polytechnic Institute of the College of William and Mary, now Virginia Commonwealth University, earning his Master's Degree there in 1952. While still in school Jackson began the correspondence with Guggenheim curator Hilla Rebay that would eventually lead to his long tenure with that institution.
Cage Transmitted: Celebrating + Playing John Cage, Norte Maar, Brooklyn, NY

Starting January 24, 2012 Joining the worldwide celebration of the centennial of John Cage, Norte Maar will collaborate with E.A.T. to present Cage Transmitted: Celebrating + Playing John Cage. The twelve evenings of performances of music, poetry, theater, visual art, and dance, occurring once each month, will span the calendar year of 2012. Most of the performances will take place in the front room of Norte Maar’s apartment gallery, and will be broadcast onto the [...]
Daniel Göttin: Objekt und Raum, Kunstraum Oktogon, Bern, Switzerland
Re-Generation, The Painting Center, New York, NY

The Painting Center is pleased to present Re-Generation, a traveling exhibition featuring the work of three generations of painter-teachers. This exhibition traces the regeneration of thought in painting and art education by linking the translation of visual ideas between students and teachers to the teaching of Josef Albers.
On Kawara: Date Painting(s) in New York & 136 Other Cities, David Zwirner, New York, NY

David Zwirner is pleased to present the exhibition On Kawara: Date Painting(s) in New York and 136 Other Cities, on view at the gallery’s 525 and 533 West 19th Street spaces. The exhibition will feature over 150 works selected by the artist, comprising a seminal presentation of his renowned date paintings from 1966 to the present (known collectively as the Today series).
Kees Visser and Anett Frontzek, Galerie Hein Elferink, Straphorst, The Netherlands
Alfred Jensen/Sol LeWitt: Systems and Transformation, The Pace Gallery, New York, NY

This exhibition juxtaposes the work of Alfred Jensen and Sol LeWitt, two artists whose bodies of work connect to the grid and are governed by systems. Exhibited side-by-side, Jensen’s colorful and tactile diagrammatic paintings and LeWitt’s minimalist white structures reveal the vastly different outcomes that can arise from similar conceptual foundations.
Jim Isermann: Reunion, Mary Boone Gallery, New York, NY

Installation view. January 5 – February 4, 2012 On 5 January 2012, Mary Boone Gallery will open at its Fifth Avenue location Reunion, a selection of work from the 1980s by JIM ISERMANN. Isermann belongs to that influential second generation of LA artists who post-graduated from CalArts in the late 1970s. Isermann had been ahead of the curve by being out of step to begin with. During the high point of Postmodernism, he was excavating [...]

























