For additional information regarding the development of reductive art on the international level, please see the following publications. Click to purchase on Amazon.com.

 

A Minimal Future?, Art as Object 1958-1968, Ann Goldstein, Lisa Mark, The MIT Press, 2004, MINUS SPACE links, publications

A Minimal Future?: Art as Object 1958-1968
Ann Goldstein, Lisa Mark. The MIT Press, 2004.

Abstract Art from the Río de la Plata, Buenos Aires and Montevideo 1933-1953, Marguerite Feitlowitz, Lory Frankel, Regina Smith, editors, The Americas Society, 2001, MINUS SPACE links, publications

Abstract Art from the Río de la Plata: Buenos Aires and Montevideo 1933-1953
Marguerite Feitlowitz, Lory Frankel, Regina Smith, editors. The Americas Society, 2001.

Abstraction Geometry Painting: Geometric Abstract Painting in America Since 1945
Michael Auping. Albright-Knox Art Gallery, 1989.

Abstraction: The Amerindian Paradigm, César Paternosto, Palais des Beaux-Arts Brussels, Belgium, IVAM INstitut Valenciá d'Art Modern, Valenciá, Spain, 2001, MINUS SPACE links, publications

Abstraction: The Amerindian Paradigm
César Paternosto. Palais des Beaux-Arts Brussels, Belgium / IVAM INstitut Valenciá d’Art Modern, Valenciá, Spain, 2001.

Aesthetische Redundanz
Kurd Alsleben. Quickborn, 1962.

Afterimage, Drawing Through Process, Cornelia H. Butler, The Museum of Contemporary Art, Los Angeles, 1999, MINUS SPACE links, publications

Afterimage: Drawing Through Process
Cornelia H. Butler. The Museum of Contemporary Art, Los Angeles, 1999.

American Abstract Art of the 1930s and 1940s: The J. Donald Nichols Collection Robert Knott. Harry N. Abrams, New York, 1998, MINUS SPACE, Brooklyn

American Abstract Art of the 1930s and 1940s: The J. Donald Nichols Collection
Robert Knott. Harry N. Abrams, New York, 1998.

Art of the Fifties, Sixties and Seventies, The Panza Collection, Christopher Knight, Richard Koshalek, Sherri Geldin, Editoriale Jaca Books, Milan, Italy, 1999, MINUS SPACE links, publications

Art of the Fifties, Sixties and Seventies: The Panza Collection
Christopher Knight, Richard Koshalek, and Sherri Geldin. Editoriale Jaca Books, Milan, Italy, 1999.

Being and Circumstance: Notes Toward a Conditional Art
Robert Irwin. Lapis Press, 1985.

Beyond Geometry, Experiments in Form, 1940s-1970s, Lynn Zelevansky, The MIT Press, 2004, MINUS SPACE links, publications

Beyond Geometry: Experiments in Form, 1940s-1970s
Lynn Zelevansky. The MIT Press, 2004.

Concrete Photography, Konkrete Fotografie, Gottfried Jäger, Rolf H.Kraus, Beate Reese, Kerber Verlag, 2005, MINUS SPACE links, publications

Concrete Photography. Konkrete Fotografie
Gottfried Jäger, Rolf H.Kraus, Beate Reese. Kerber Verlag, 2005.

Constructed Abstract Art in England, A Neglected Avant-Garde, Alastair Grieve, Yale University Press, 2005, MINUS SPACE links, publications

Constructed Abstract Art in England: A Neglected Avant-Garde
Alastair Grieve. Yale University Press, 2005.

Contrasts of Form: Geometric Abstract Art 1910-1980
Magdalena Dabrowski, John Elderfield. The Museum of Modern Art, 1985.

Dia Beacon, Lynne Cooke and Michael Govan, Dia Art Foundation, 2003, MINUS SPACE links, publications

Dia:Beacon
Lynne Cooke and Michael Govan. Dia Art Foundation, 2003.

Die Sammlung Holze – Schenkung an das Von der Heydt-Museum
Von der Heydt-Museum, Wuppertal, Germany, 2003. ISBN: 3-89202-053-1.

Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection, Pamela Lee, Christine Mehring, Harvard University Art Museums, Cambridge, MA, 1997, MINUS SPACE links, publications

Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection
Pamela Lee, Christine Mehring. Harvard University Art Museums, Cambridge, MA, 1997.

Elements of Abstraction, Space, Line & Interval in Modern British Art, Brandon Taylor and Alan Fowler, Southampton City Art Gallery, MINUS SPACE links, publications

Elements of Abstraction: Space, Line & Interval in Modern British Art
Brandon Taylor and Alan Fowler. Southampton City Art Gallery.

Embodied Visions: Bridget Riley, Op Art and the Sixties, Frances Follin, Thames & Hudson, 2004, MINUS SPACE links, publications

Embodied Visions: Bridget Riley, Op Art and the Sixties
Frances Follin. Thames & Hudson, 2004.

Equilibre: Gleichgewicht, Äquivalenz und Harmonie in der Kunst des 20. Jahrhunderts
Baden, Switzerland, 1993.

Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass, Music in the Twentieth Century, Keith Potter, Arnold Whittall, Cambridge University Press, 2002, MINUS SPACE links, publications

Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass (Music in the Twentieth Century)
Keith Potter, Arnold Whittall. Cambridge University Press, 2002.

From Science to Systems of Art: On Russian Abstract Art and Language 1910-1920, Patricia Railing, East Sussex, England, 1989, MINUS SPACE links, publications

From Science to Systems of Art: On Russian Abstract Art and Language 1910-1920
Patricia Railing. East Sussex, England, 1989.

Fundamental Painting
Stedelijk Museum, Amsterdam, The Netherlands, 1975.

Geometric Abstraction: Latin American Art from the Patricia Phelps de Cisneros Collection, Yve-Alain Bois, Paulo Herkenhoff, Ariel Jiménez, Luis Enrique Pérez Oramas, Mary Schneider Enriquez, Harvard University Art Museums, Cambridge, MA, 2001, MINUS SPACE links, publications

Geometric Abstraction: Latin American Art from the Patricia Phelps de Cisneros Collection
Yve-Alain Bois, Paulo Herkenhoff, Ariel Jiménez, Luis Enrique Pérez Oramas, Mary Schneider Enriquez. Harvard University Art Museums, Cambridge, MA, 2001.

Global Conceptualism: Points of Origin, 1950s-1980s, Luis Camnitzer, Jane Farver, Rachel Wiess, Queens Museum of Art, NY, 1999, MINUS SPACE links, publications

Global Conceptualism: Points of Origin, 1950s-1980s
Luis Camnitzer, Jane Farver, Rachel Wiess. Queens Museum of Art, NY, 1999.

Geometric Painting in Australia 1941-1997, The University of Queensland, Brisbane, Australia, 1997, MINUS SPACE links, publications

Geometric Painting in Australia 1941-1997
The University of Queensland, Brisbane, Australia, 1997.

High Times, Hard Times: New York Painting 1967-1975, Kay Siegel editor, Independent Curators, 2006, MINUS SPACE links, publications

High Times, Hard Times: New York Painting 1967-1975
Kay Siegel editor. Independent Curators, 2006.

Inverted Utopias: Avant-Garde Art in Latin America, Mari Carmen Ramirez, Hector Olea, Yale University Press, 2004, MINUS SPACE links, publications

Inverted Utopias: Avant-Garde Art in Latin America
Mari Carmen Ramirez, Hector Olea. Yale University Press, 2004.

Kalte Kunst? zum Standort der heutigen Malerei
Karl Gerstner. Teufen AR, Switzerland, 1957.

Kinetic Art: Four Essays by Stephen Bann, Reg Gadney, Frank Popper and Philip Steadman
London, 1966.

Konkrete Kunst in Europa nach 1945: Die Sammlung Peter C. Ruppert / Concrete Art in Europe after 1945, The Peter C. Ruppert Collection, Hatje Cantz Verlag, 2002, MINUS SPACE links, publications

Konkrete Kunst in Europa nach 1945: Die Sammlung Peter C. Ruppert / Concrete Art in Europe after 1945: The Peter C. Ruppert Collection
Hatje Cantz Verlag, 2002.

L’Ultima Avantguardia: Arte Programmara e Cinetica 1953-1963
Lea Vergine. Exhibition catalogue, Palazzo Realo, Milano, 1983-84.

Minimal Art: A Critical Anthology, Gregory Battock, editor. University of California Press, 1995, MINUS SPACE links, publications

Minimal Art: A Critical Anthology
Gregory Battock, editor. University of California Press, 1995.

Minimal Art: The Critical Perspective, Frances Colpitt. University of Washington Press, 1993, MINUS SPACE links, publications

Minimal Art: The Critical Perspective
Frances Colpitt. University of Washington Press, 1993.

Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present, New Acquisitions for the DaimlerChrysler Collection 2000-2006, Renate Wiehager, Hatje Cantz, 2006, MINUS SPACE links, publications

Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present, New Acquisitions for the DaimlerChrysler Collection 2000-2006
Renate Wiehager. Hatje Cantz, 2006.

Minimalism: Art and Polemics in the Sixties, James Meyer, Yale University Press, 2001, MINUS SPACE links, publications

Minimalism: Art and Polemics in the Sixties
James Meyer. Yale University Press, 2001.

Minimalism: Art of Circumstance (Abbeville Modern Art Movements), Kenneth Baker, Abbeville Press, 1989, MINUS SPACE links, publications

Minimalism: Art of Circumstance (Abbeville Modern Art Movements)
Kenneth Baker. Abbeville Press, 1989.

Minimalism (Movements in Modern Art), David Batchelor, Cambridge University Press, 1997, MINUS SPACE links, publications

Minimalism (Movements in Modern Art)
David Batchelor. Cambridge University Press, 1997.

Minimalism Themes and Movements, James Sampson Meyer, editor, Phaidon Press, 2000, MINUS SPACE links, publications

Minimalism (Themes and Movements)
James Sampson Meyer, editor. Phaidon Press, 2000.

Minimalism, Origins, Edward Strickland, Indiana University Press, 1999, MINUS SPACE links, publications

Minimalism: Origins
Edward Strickland. Indiana University Press, 1999.

Minimalismo, un signo de los tiempos, Minimalism, a Sign of the Times, Anatxu Zabalbeascoa, Javier Rodriguez Marcos, Tom Johnson, Actar, 2002, MINUS SPACE links, publications

Minimalismos, un Signo de los Tiempos | Minimalisms, a Sign of the Times
Anatxu Zabalbeascoa, Javier Rodriguez Marcos, Tom Johnson. Actar, 2002.

Monochromes, from Malevich to the Present, Barbara Rose, University of California Press, 2006, MINUS SPACE links, publications

Monochromes: From Malevich to the Present
Barbara Rose. University of California Press, 2006.

Naissance de l’Art Cinetique
Frank Popper. Paris, 1967.

North and South Connected: An Abstraction of the Americas, César Paternosto, Cecilia de Torres, NY, 1998, MINUS SPACE links, publications

North and South Connected: An Abstraction of the Americas
César Paternosto. Cecilia de Torres, NY, 1998.

Nothing Less than Literal: Architecture after Minimalism, Mark Linder, The MIT Press, 2005, MINUS SPACE links, publications

Nothing Less than Literal: Architecture after Minimalism
Mark Linder. The MIT Press, 2005.

Optic Nerve: Perceptual Art of the 1960s, Joe Houston & Dave Hickey.  Merrell, February 2007, MINUS SPACE links, publications

Optic Nerve: Perceptual Art of the 1960s
Joe Houston & Dave Hickey. Merrell, February 2007.

Overlay: Contemporary Art and the History of Prehistory, Lucy Lippard, Pantheon Books, NY, 1983, MINUS SPACE links, publications

Overlay: Contemporary Art and the History of Prehistory
Lucy Lippard. Pantheon Books, NY, 1983.

Personal Structures: Symposium - Ludwig Museum, Peter Lodermeyer, Editor, GlobalArtAffairs Publishing, MINUS SPACE links, publications

Personal Structures: Symposium – Ludwig Museum
Peter Lodermeyer, Editor. GlobalArtAffairs Publishing.

Personal Structures: Works and Dialogues, Peter Lodermeyer, GlobalArtAffairs Publishing, MINUS SPACE links, publications

Personal Structures: Works and Dialogues
Peter Lodermeyer. GlobalArtAffairs Publishing. ISBN: 0-9745148-0-2.

Pour un art concret, Espace de l’Art Concret, Donation Albers-Honegger
Chateau de Mouans, Mouans-Sartoux, France. ISBN: 2-912688-43- 4.

Powers of Ten: About the Relative Size of Things in the Universe, Philip Morrison & Phylis Morrison and the Office of Charles & Ray Eames, Scientific American Library, NY, 1982, MINUS SPACE links, publications

Powers of Ten: About the Relative Size of Things in the Universe
Philip Morrison & Phylis Morrison and the Office of Charles & Ray Eames. Scientific American Library, NY, 1982.

Raumkunst, Kunstraum
Dieter Bogner, Gertraud Bogner, editors. Passagen-Verlag, Vienna, Austria, 2000.

Seins-Formen: Über strengen Konstruktivismus in der Kunst, Hans Heinz Holz.  Bielefeld, 2001, MINUS SPACE links, publications

Seins-Formen: Über strengen Konstruktivismus in der Kunst
Hans Heinz Holz. Bielefeld, 2001.

Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Lisa Dennison, Nancy Spector, Solomon R. Guggenheim Foundation, 2004, MINUS SPACE links, publications

Singular Forms (Sometimes Repeated): Art from 1951 to the Present
Lisa Dennison, Nancy Spector. Solomon R. Guggenheim Foundation, 2004.

Six Years: The Dematerialization of the Art Object from 1966 to 1972: A Cross-Reference Book of Information on Some Esthetic Boundaries: Consisting of a Bibliography into Which Are Inserted Fragments of Text, Art Works, Documents, Interviews, and Symposia, Arranged Chronologically and Focused on the So-Called Conceptual or Information or Idea Art with Mentions of Such Vaguely Designated Areas as Minimal, Anti-Form, Systems, Earth, or Process Art, Occurring Now in the Americas, Europe, England, Australia, and Asia (with Occasional Political Overtones), Lucy Lippard, University of California Press, 1973, MINUS SPACE links, publications

Six Years: The Dematerialization of the Art Object from 1966 to 1972: A Cross-Reference Book of Information on Some Esthetic Boundaries: Consisting of a Bibliography into Which Are Inserted Fragments of Text, Art Works, Documents, Interviews, and Symposia, Arranged Chronologically and Focused on the So-Called Conceptual or Information or Idea Art with Mentions of Such Vaguely Designated Areas as Minimal, Anti-Form, Systems, Earth, or Process Art, Occurring Now in the Americas, Europe, England, Australia, and Asia (with Occasional Political Overtones)
Lucy Lippard. University of California Press, 1973.

The Artist as Producer: Russian Constructivism in Revolution, University California Press, CA, MINUS SPACE links, publications

The Artist as Producer: Russian Constructivism in Revolution
University California Press, CA.

The Spiritual in Art: Abstract Painting 1890-1985, Maurice Tuchman, Los Angeles County Museum of Art, Abbeville Press Publishers, 1986, MINUS SPACE links, publications

The Spiritual in Art: Abstract Painting 1890-1985
Maurice Tuchman, et al. Los Angeles County Museum of Art, Abbeville Press Publishers, 1986.

The Stone & The Thread: Andean Roots of Abstract Art, César Paternosto, University of Texas Press, 1996, MINUS SPACE links, publications

The Stone & The Thread: Andean Roots of Abstract Art
César Paternosto. University of Texas Press, 1996.

The Structurist, Canadian art journal, MINUS SPACE links, publications

The Structurist
Canadian art journal.