For additional information regarding the development of reductive art on the international level, please see the following publications. Click to purchase on Amazon.com.
A Minimal Future?: Art as Object 1958-1968
Ann Goldstein, Lisa Mark. The MIT Press, 2004.
Abstract Art from the Río de la Plata: Buenos Aires and Montevideo 1933-1953
Marguerite Feitlowitz, Lory Frankel, Regina Smith, editors. The Americas Society, 2001.
Abstraction Geometry Painting: Geometric Abstract Painting in America Since 1945
Michael Auping. Albright-Knox Art Gallery, 1989.
Abstraction: The Amerindian Paradigm
César Paternosto. Palais des Beaux-Arts Brussels, Belgium / IVAM INstitut Valenciá d’Art Modern, Valenciá, Spain, 2001.
Aesthetische Redundanz
Kurd Alsleben. Quickborn, 1962.
Afterimage: Drawing Through Process
Cornelia H. Butler. The Museum of Contemporary Art, Los Angeles, 1999.
American Abstract Art of the 1930s and 1940s: The J. Donald Nichols Collection
Robert Knott. Harry N. Abrams, New York, 1998.
Art of the Fifties, Sixties and Seventies: The Panza Collection
Christopher Knight, Richard Koshalek, and Sherri Geldin. Editoriale Jaca Books, Milan, Italy, 1999.
Being and Circumstance: Notes Toward a Conditional Art
Robert Irwin. Lapis Press, 1985.
Beyond Geometry: Experiments in Form, 1940s-1970s
Lynn Zelevansky. The MIT Press, 2004.
Concrete Photography. Konkrete Fotografie
Gottfried Jäger, Rolf H.Kraus, Beate Reese. Kerber Verlag, 2005.
Constructed Abstract Art in England: A Neglected Avant-Garde
Alastair Grieve. Yale University Press, 2005.
Contrasts of Form: Geometric Abstract Art 1910-1980
Magdalena Dabrowski, John Elderfield. The Museum of Modern Art, 1985.
Dia:Beacon
Lynne Cooke and Michael Govan. Dia Art Foundation, 2003.
Die Sammlung Holze – Schenkung an das Von der Heydt-Museum
Von der Heydt-Museum, Wuppertal, Germany, 2003. ISBN: 3-89202-053-1.
Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection
Pamela Lee, Christine Mehring. Harvard University Art Museums, Cambridge, MA, 1997.
Elements of Abstraction: Space, Line & Interval in Modern British Art
Brandon Taylor and Alan Fowler. Southampton City Art Gallery.
Embodied Visions: Bridget Riley, Op Art and the Sixties
Frances Follin. Thames & Hudson, 2004.
Equilibre: Gleichgewicht, Äquivalenz und Harmonie in der Kunst des 20. Jahrhunderts
Baden, Switzerland, 1993.
Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass (Music in the Twentieth Century)
Keith Potter, Arnold Whittall. Cambridge University Press, 2002.
From Science to Systems of Art: On Russian Abstract Art and Language 1910-1920
Patricia Railing. East Sussex, England, 1989.
Fundamental Painting
Stedelijk Museum, Amsterdam, The Netherlands, 1975.
Geometric Abstraction: Latin American Art from the Patricia Phelps de Cisneros Collection
Yve-Alain Bois, Paulo Herkenhoff, Ariel Jiménez, Luis Enrique Pérez Oramas, Mary Schneider Enriquez. Harvard University Art Museums, Cambridge, MA, 2001.
Global Conceptualism: Points of Origin, 1950s-1980s
Luis Camnitzer, Jane Farver, Rachel Wiess. Queens Museum of Art, NY, 1999.
Geometric Painting in Australia 1941-1997
The University of Queensland, Brisbane, Australia, 1997.
High Times, Hard Times: New York Painting 1967-1975
Kay Siegel editor. Independent Curators, 2006.
Inverted Utopias: Avant-Garde Art in Latin America
Mari Carmen Ramirez, Hector Olea. Yale University Press, 2004.
Kalte Kunst? zum Standort der heutigen Malerei
Karl Gerstner. Teufen AR, Switzerland, 1957.
Kinetic Art: Four Essays by Stephen Bann, Reg Gadney, Frank Popper and Philip Steadman
London, 1966.
Konkrete Kunst in Europa nach 1945: Die Sammlung Peter C. Ruppert / Concrete Art in Europe after 1945: The Peter C. Ruppert Collection
Hatje Cantz Verlag, 2002.
L’Ultima Avantguardia: Arte Programmara e Cinetica 1953-1963
Lea Vergine. Exhibition catalogue, Palazzo Realo, Milano, 1983-84.
Minimal Art: A Critical Anthology
Gregory Battock, editor. University of California Press, 1995.
Minimal Art: The Critical Perspective
Frances Colpitt. University of Washington Press, 1993.
Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present, New Acquisitions for the DaimlerChrysler Collection 2000-2006
Renate Wiehager. Hatje Cantz, 2006.
Minimalism: Art and Polemics in the Sixties
James Meyer. Yale University Press, 2001.
Minimalism: Art of Circumstance (Abbeville Modern Art Movements)
Kenneth Baker. Abbeville Press, 1989.
Minimalism (Movements in Modern Art)
David Batchelor. Cambridge University Press, 1997.
Minimalism (Themes and Movements)
James Sampson Meyer, editor. Phaidon Press, 2000.
Minimalism: Origins
Edward Strickland. Indiana University Press, 1999.
Minimalismos, un Signo de los Tiempos | Minimalisms, a Sign of the Times
Anatxu Zabalbeascoa, Javier Rodriguez Marcos, Tom Johnson. Actar, 2002.
Monochromes: From Malevich to the Present
Barbara Rose. University of California Press, 2006.
Naissance de l’Art Cinetique
Frank Popper. Paris, 1967.
North and South Connected: An Abstraction of the Americas
César Paternosto. Cecilia de Torres, NY, 1998.
Nothing Less than Literal: Architecture after Minimalism
Mark Linder. The MIT Press, 2005.
Optic Nerve: Perceptual Art of the 1960s
Joe Houston & Dave Hickey. Merrell, February 2007.
Overlay: Contemporary Art and the History of Prehistory
Lucy Lippard. Pantheon Books, NY, 1983.
Personal Structures: Symposium – Ludwig Museum
Peter Lodermeyer, Editor. GlobalArtAffairs Publishing.
Personal Structures: Works and Dialogues
Peter Lodermeyer. GlobalArtAffairs Publishing. ISBN: 0-9745148-0-2.
Pour un art concret, Espace de l’Art Concret, Donation Albers-Honegger
Chateau de Mouans, Mouans-Sartoux, France. ISBN: 2-912688-43- 4.
Powers of Ten: About the Relative Size of Things in the Universe
Philip Morrison & Phylis Morrison and the Office of Charles & Ray Eames. Scientific American Library, NY, 1982.
Raumkunst, Kunstraum
Dieter Bogner, Gertraud Bogner, editors. Passagen-Verlag, Vienna, Austria, 2000.
Seins-Formen: Über strengen Konstruktivismus in der Kunst
Hans Heinz Holz. Bielefeld, 2001.
Singular Forms (Sometimes Repeated): Art from 1951 to the Present
Lisa Dennison, Nancy Spector. Solomon R. Guggenheim Foundation, 2004.
The Artist as Producer: Russian Constructivism in Revolution
University California Press, CA.
The Spiritual in Art: Abstract Painting 1890-1985
Maurice Tuchman, et al. Los Angeles County Museum of Art, Abbeville Press Publishers, 1986.
The Stone & The Thread: Andean Roots of Abstract Art
César Paternosto. University of Texas Press, 1996.
The Structurist
Canadian art journal.
