View of Sanford Wurmfeld’s studio, NYC, June 2017
July 8 – August 12, 2017
(then open by appointment until September 4)
Opening: Saturday, July 8, 6-8pm
Gabriele Evertz (b. 1945 Berlin, Germany) has exhibited her work in solo and group exhibitions internationally, including in Australia, Germany, Italy, New Zealand, and the United States. Her recent museum exhibitions include MoMA PS1 (NYC), Heckscher Museum (Huntington, NY), Hillwood Art Museum (Brookville, NY), Columbus Museum (Columbus, OH), Patricia & Phillip Frost Art Museum (Miami, FL), Ulrich Museum (Wichita, KS), and Karl Ernst Osthaus Museum (Hagen, Germany).
Her work is included in many public collections worldwide, such as The British Museum, Brooklyn Museum, Columbus Museum of Art, Harvard University Art Museum, Hunterdon Museum of Art, Karl Ernst Osthaus Museum, Metropolitan Museum of Art, Museo de Arte Contemporáneo de Buenos Aires, Museum of Modern Art, New Jersey State Museum, Parrish Art Museum, Stiftung für Konstruktive und Konkrete Kunst Zurich, Ulrich Museum of Art, Wilhelm Mack Museum, Whitney Museum of American Art, among others. Her work has been reviewed in publications, such as Artcritical, ArtSlant, Hyperallergic, The New Criterion, Village Voice, and Wall Street Journal.
In addition to her painting practice, Evertz is a Professor of Art, Painting in Hunter College’s Department of Art & Art History, NYC. She is a key protagonist in the renowned Hunter Color School, alongside other color painters, including Vincent Longo, Doug Ohlson, Robert Swain, and Sanford Wurmfeld. Over the past ten years, Evertz has also curated several critically-acclaimed artist retrospectives and surveys of abstract painting at Hunter College, including Visual Sensations: Robert Swain Paintings, 1967-2010; Presentational Painting III; Seeing Red: An International Exhibition of Nonobjective Painting (co-curated with Michael Fehr); Set in Steel: The Sculpture of Antoni Milkowski; and Mac Wells: Light into Being (co-curated with Robert Swain).
Evertz holds an MFA in Painting and a BA in Art History from Hunter College, New York, NY.
Sanford Wurmfeld (b. 1942 in Bronx, NY) has exhibited his work worldwide in solo and group exhibitions since the late 1960s. His solo exhibitions include Tibor de Nagy Gallery, Galerie Denise Rene, Susan Caldwell Gallery, Bard College (all New York), Karl Ernst Osthaus-Museum (Hagen, Germany), Mucsarnok Kunsthalle (Budapest, Hungary), Talbot-Rice Gallery (Edinburgh, Scotland), Neuberger Museum (Purchase, NY), and Ewing Museum Gallery (Knoxville, TN).
In 1968 Wurmfeld was the youngest artist included in the landmark exhibition Art of the Real curated by Eugene Goossen at the Museum of Modern Art, NY. The exhibition traveled for the next two years to the Grand Palais (Paris, France), Kunsthaus (Zurich, Switzerland), and The Tate Gallery (London, England). Wurmfeld’s other museum group exhibitions include the American Academy of Arts and Letters, National Academy Museum (both New York), Dayton Art Museum (Dayton, OH), Long Beach Museum of Art (Long Beach, CA), Karl Ernst Osthaus-Museum (Hagen, Germany), and Espace de l’Art Concret (Mouans-Sartoux, France), among others.
Wurmfeld has lectured and written extensively on the history of color, painting, and abstraction. He has received awards from the John Simon Guggenheim Memorial Foundation, National Endowment for the Arts, City University of New York, and Dartmouth College. Wurmfeld’s work is included in collections worldwide, including the Solomon R. Guggenheim Museum, Metropolitan Museum of Art, Brooklyn Museum (all New York), Karl Ernst Osthaus-Museum, Sprengler Museum (both Germany), and Espace de l’Art Concret (France), among others.
In addition to his artistic work, Wurmfeld taught in the Department of Art at Hunter College from 1967-2012, where he educated and mentored countless generations of artists. Originally invited to join the faculty by sculptor Tony Smith and critic Eugene Goossen, Wurmfeld was Chairman of the department from 1978-2006.