Rudolf de Crignis: MATRIX 245, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA

Rudolf de Crignis

Though the Swiss-born Rudolf de Crignis (1948–2006) suffered an untimely death at the age of fifty-eight, the artist left behind a large and magnificent body of work, including a vast collection of the meditative paintings for which he is renowned.

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Nearly Neutral, Curated by John O’Connor, The Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY

Nearly Neutral, The Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY, 2013

A group exhibition curated by artist John O'Connor.

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Inventing Abstraction, 1910–1925, Museum of Modern Art, New York, NY

Inventing Abstraction, 1910-1925, Museum of Modern Art, 2013

In 1912, in several European cities, a handful of artists—Vasily Kandinsky, Frantisek Kupka, Francis Picabia, and Robert Delaunay—presented the first abstract pictures to the public.

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David Rhodes: Nocturnes, Some Walls, Oakland, CA

David Rhodes, Some Walls

Some Walls is pleased to present David Rhodes: "Nocturnes," paintings on linen and paper by the British-born, Berlin-based artist from January 19 - March 31, 2013. This is a unique opportunity to see Rhodes's work in the San Francisco Bay Area.

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Tilman: Radio Vallebona / Transmission #1, with guest artist Greet Billet

Installation view of Tilman: Radio Vallebona / Transmission #1, with guest artist Greet Billet, MINUS SPACE, Brooklyn, NY, 2013

January 11 - February 9, 2013

MINUS SPACE is pleased to announce the exhibition Tilman: Radio Vallebona / Transmission #1. This is the NYC- and Vallebona, Italy-based artist’s second solo exhibition with the gallery and it will feature the first installment of his new transitory, environmental sculpture entitled Radio Vallebona.

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R.H. Quaytman: Passing Through the Opposite of What It Approaches, Chapter 25, The Renaissance Society, Chicago, IL

R.H. Quaytman: Passing Through the Opposite of What It Approaches, Chapter 25, The Renaissance Society, Chicago, IL

Quaytman’s practice is to create installations of painted panels termed ‘chapters.’ The ongoing chapters, begun in 2001, explore formalist and conceptual variations of ideas about painting, as well as the poetic and grammatical possibilities of photography-based imagery.

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