Julian Dashper in Peripheral Relations: Marcel Duchamp & New Zealand Art 1960-2011, Adam Art Gallery, Wellington, New Zealand

Marcel Duchamp

Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011 is a major exhibition organised by the Adam Art Gallery. Drawing on the PhD research of Marcus Moore, guest curator of the exhibition, it explores the influence of Marcel Duchamp on New Zealand art, canvassing the history of Duchamp’s reception in New Zealand from 1960 to the present.

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Kyle Jenkins: Falling Down, MOP Projects, Sydney, Australia

Kyle Jenkins

In this solo exhibition for MOP, Kyle Jenkins has created a new body of work that involves the deconstruction and reconstruction of various relationships between conceptualised and physical interpretations of space. The conceptual foundation for the work is the Rolling Stones concert at Altamont Speedway on Saturday, December 6, 1969, where various interpretations of space collapsed into chaotic and evolving forms of activity.

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Dannielle Tegeder: Animation, Formation, Translation, Arroniz Arte, Mexico City, Mexico

Dannielle Tegeder

A grey wall installation based on a eight drawings shown on shelves throughout the space. The drawings will continue a translation process by taking the shape vocabulary of the animation, and utilizing it in an installation context. This continued process creates shifts and changes in the language of the work while keeping an inherent structure.

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David Reed: Heart of Glass, Kunstmuseum Bonn, Bonn, Germany

David Reed

David Reed, born 1946 in San Diego and a resident of New York since the 1970s, has in his good forty creative years developed an oeuvre that, with all its concentration on specific forms of painting, also maintains relationships to other, more recent image media, especially to film and video art.

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