Ron Gorchov, Cheim & Read, New York, NY

Gorchov’s distinctive and assertive saddle-like stretchers were created in the late 1960s as an alternative to the pervasive Greenbergian formalism of the time, evidenced in the dominance of minimalist sculpture. The stretchers offered a foil to the novel images, as yet seldom seen in contemporary painting.

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Grid List, Allegra LaViola Gallery, New York, NY

Allegra LaViola Gallery is pleased to present Grid List, curated by Patrick Morrissey and Mark Sengbusch. Grid List presents 16 artists, 13 working in geometric abstraction, and three working quite “gridless”. Their conceptual fodder ranges from sports to math and science to film, graphic design and video.

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Hans Hofmann, Ameringer McEnery Yohe, New York, NY

In his essay for the exhibition catalogue, William Agee describes Hofmann as going against the grain of the artistic canon of the day; “His art was too big, too bold, to be encapsulated in a few years after 1945, the years we generally identify as the heyday of abstract expressionism.”

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Sam Moyer: Slack Tide, Rachel Uffner Gallery, New York, NY

Rachel Uffner Gallery is pleased to present a show of new work by Sam Moyer. For her second solo show at the gallery, Moyer will exhibit pieces that continue her examination of the liminal space between the two- and three-dimensional, albeit in a larger, more imposing scale than her work has explored before.

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Davis Rhodes: Untitled ’12, Team Gallery, New York, NY

Rhodes’ work carries strong reference to post-painterly and hard-edge abstraction in addition to the deep influence of pop appropriation spanning from commercial signage to the guerilla tactics of amateur street advertising. As with his previous bodies of work, Rhodes channels the aesthetic practices of public visual economy into his abstractions.

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Robert Morris, Sprüth Magers, Berlin, Germany

Monika Sprüth and Philomene Magers are pleased to present the second solo exhibition by Robert Morris in Berlin. The American artist is displaying a selection of space-related works which offer an historical overview of his involvement with sculpture.

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Spencer Finch: Ex Nihilo, Lisson Gallery, England

Exploring the process of making something from nothing, Finch presents a series of works, across a broad range of media, inspired specifically by the actuality of his studio. At the core of Finch’s practice is his on-going investigation into the nature of light, colour, memory and perception: he uses scientific method to poetic effect, examining the mechanics and mystery of perception.

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Russell Maltz: The Ball Park Series, 1977-2012

March 2 - April 21, 2012

MINUS SPACE is delighted to announce the exhibition Russell Maltz: The Ball Park Series, 1977-2012. This is the New York-based artist’s first solo exhibition with the gallery and his first in New York in over a decade. The exhibition presents the first comprehensive overview of the artist’s ongoing Ball Park Series spanning the past 25 years.

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