Bibi Calderaro in Telefone Sem Fio: Word-Things of Augusto de Campos Revisited, The Elizabeth Foundation for the Arts, New York, NY

Rossana Martinez, See the World in Orange and Blue, 2011

November 4 – December 17, 2011

Please join the curators and participating artists and poets for the opening of Telefone Sem Fio: Word-Things of Augusto de Campos Revisited. This exhibition, a collaboration between EFA Project Space and Telephone, uses the work of the Brazilian poet Augusto de Campos as a catalyst for an experimental multi-disciplinary exercise in which an outstanding group of poets and artists, who exist across a continuum of text, sound and visual expression, invent translations of select examples of De Campos’ work.

In its first year of publication, Telephone has become a respected voice in the poetry community. It features four to five poems from one foreign poet in each issue, which are then translated roughly ten times by multiple different poets and translators. There are no rules about how each poem should be translated. The first two issues focused on the work of Ulijana Wolf as well as a collaboration between Steve Savage & Renée Gagnon; the third will focus on Augusto de Campos. In this short time, the publication has been featured in Harper’s Magazine and BOMB. Its new incarnation as Telephone Books is set to launch in Fall 2012.

Ugly Duckling Presse is a non-profit art & publishing organization whose mission is to produce artisanal and trade editions of new poetry, translation, experimental non-fiction, performance texts, and books by artists. With a volunteer editorial collective of artists and writers at its heart, UDP grew out of a 1990s zine into a Brooklyn-based small press that has published more than 200 titles to date, with an editorial office and letterpress workshop in the Old American Can Factory in Gowanus. UDP favors emerging, international, and “forgotten” writers, and its books, chapbooks, artist’s books, broadsides, and periodicals often contain handmade elements, calling attention to the labor and history of bookmaking.

EFA Project Space, a program of the Elizabeth Foundation for the Arts, was launched in September 2008 with a focus on the investigation of the creative process, aiming to provide dynamic exchanges between artists, cultural workers, and the public. The Project Space presents exhibitions and programs in collaboration with a diverse range of organizations, curators and artists to provide a comprehensive and critical perspective on creative practices. A major aspect of the program’s development is ongoing outreach to the myriad individuals and institutions effectively shaping culture today.

The Elizabeth Foundation for the Arts (EFA) is a 501 (c) (3) public charity. Through its three core programs, EFA Studios , EFA Project Space, and the Robert Blackburn Printmaking Workshop, EFA is dedicated to providing artists across all disciplines with space, tools and a cooperative forum for the development of individual practice. www.efanyc.org

EFA Project Space is supported in part by public funds from the New York City Department of Cultural Affairs. Private funding for the program has been received from the Lily Auchincloss Foundation.