Installation by Anthony McCall
June 26 – July 31, 2009
Anthony McCall will present Doubling Back, 2003, at the Kartöflugeymslur, an old war bunker, positioned on the outskirts of the city. This projected light piece stretches from the floor almost to the ceiling and, over a period of thirty minutes, two intersecting curved lines create planes in space that gradually move toward and away from each other. The installation examines drawing, volume, space and time, as well as how viewers engage with each other and the physical realms of an artwork. At i8 Gallery, McCall will present a group of early works from the 1970′s, including performance scores, films, installation drawings and photographs. McCall first presented a performance work in Iceland in 1972, along with members of the SUM collective (many of whom currently work with i8 Gallery), at the Gallery SUM during the Reykjavík Arts Festival; SUM was a group of Icelandic artists who ran their own gallery in Reykjavík from 1968 to 1976.
Finnbogi Pétursson will present new installations in the lower gallery at i8. Engraved into the gallery wall, an actual sound recording from an Icelandic glacier materializes as a ‘sound-image’. Another site-specific work consists of a small-scale water installation where the conjunction of light, water and rhythm create an interplay of shadows and sound caused by the passing of time.
In New York:
Anthony McCall will present three vertical ‘solid-light’ works – Breath, 2004, Breath III, 2005 and Meeting You Halfway, 2009 – each of which is being shown in the United States for the first time. The works will be exhibited quarter-scale, in maquette form, projected from the ceiling onto pedestals. As a group, the vertical projected works continue McCall’s exploration of sculptural form, durational structure, and the possibility of representing the corporeal, which began in 1973 with his seminal film, Line Describing a Cone.
Finnbogi Pétursson will present Earth, 1994-2009, a transfixing installation that utilizes sound, light and shadow. Pétursson will flood the main gallery, employing low frequency sound to continually move the water. The reflections radiating from the piece form an ever-changing environment in the gallery, creating a deeply compelling installation. In an additional work, Dream, 2004 – installed in Gallery One – Pétursson channels low frequency sound through a large, clear bowl of water, creating reverberations on the water’s surface. Light projected from beneath the bowl onto the ceiling, creates luminous undulating patterns. As the sound changes, the patterns of the projection fluctuate and evolve. Pétursson says: “I am always trying to capture phenomena, such as sound, water, fire, shadow and light, and channel them along new grooves, turn them into something other than what they are. These are phenomena that you feel and think about, but never see.”