Everyday Composed: An Interview with Shinsuke Aso, by Brent Hallard, Visual Discrepancies blog, March 18, 2009

 

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Brent: Of course the first impression I get with your collage work (we may as well start there) is that it rings Japanese: The color, the quirkiness, and freshness – the level and sense of reserve and adornment. Though that’s too simple. Quirkiness and perhaps freshness has been picked up, more fetishized, by western media, so we’ll leave that for a moment. And as you are not in Japan, and have settled in a different environment, I’m going to leave the Japanese thing aside as well – for the moment. Sensibilities, or where the work comes from probably will flow naturally without the need to make some grand cultural point.

That said, if I didn’t live here, I don’t know if I would have got the collage work that you do, as well as I think I do. Simply said I enjoy and feel it. It’s very much part of this culture’s fabric. Said from someone who is still coming to terms with what that fabric is. In the process, so to speak – never expecting to get there, of course, but open to the process.

I wouldn’t mind starting with ways of looking. And perhaps how you see something that interests you. How you pick that up, give it some attention, notice its qualities, what memory that triggers, its instance, and some of the more intriguing background operatives, how you are thinking when you move that into that position.

 

Shinsuke: I am interested in encountering activities and accidents that convert or flip over concepts, stereotypes and prejudices. As an artist, I am trying to create artwork that suggests to the audience several different points of view toward things and phenomena around them…