Winter Exhibitions, Museum of Modern Art, New York, NY

 

 Winter Exhibitions, Museum of Modern Art, New York, NY, Hélio Oiticica, MINUS SPACE, Brooklyn

Hélio Oiticica, Metaesquema No. 348, 1958
Gouache on board, 18 1/8 x 22 3/4 inches

New Perspectives in Latin American Art, 1930–2006: Selections from a Decade of Acquisitions

thru February 25, 2008

This exhibition presents some two hundred works by Latin American artists that have been added to the collection over the past ten years. The works on view embrace several artistic mediums and comprises a variety of styles, from early modernism and geometric abstraction to informalism and conceptual art. New Perspectives in Latin American Art surveys the wide range of these recent acquisitions and features both historical and contemporary Latin American artists, including Joaquín Torres-García, Alejandro Otero, Hélio Oiticica, Lygia Clark, Lygia Pape, Carmen Herrera, Geraldo de Barros, Leo Matiz, Willys de Castro, León Ferrari, Gego, Gerd Leufert, Mira Schendel, Waltercio Caldas, Anna Maria Maiolino, Victor Grippo, Guillermo Kuitca, Arturo Herrera, Gabriel Orozco, Carlos Garaicoa, and Santiago Cucullu.

 

 Winter Exhibitions, Museum of Modern Art, New York, NY, 50 Years of Helvetica, MINUS SPACE, Brooklyn

50 Years of Helvetica 

thru March 31, 2008

2007 marks the fiftieth anniversary of Max Miedinger and Edouard Hoffmann’s design Helvetica, the most ubiquitous of all typefaces. Widely considered the official typeface of the twentieth century, Helvetica communicates with simple, well-proportioned letterforms that convey an aesthetic clarity that is at once universal, neutral, and undeniably modern. In honor of the first typeface acquired for MoMA’s collection, the installation presents posters, signage, and other graphic material demonstrating the variety of uses and enduring beauty of this design classic. As a special feature in the exhibition, an excerpt of Gary Hustwit’s documentary Helvetica reveals the typeface as we experience it in an everyday context.

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