Carmen Herrera, Latincollector, New York, NY

    Carmen Herrera, Amarillo, 1971 Acrylic on wood, 45 x 60 x 4 inches November 17, 2007 — January 19, 2008 Carmen Herrera is a highly accomplished Cuban artist whose career has spanned over five decades, and whose work has been exhibited widely in the Americas and Europe. Estructuras presents a survey of her three dimensional works from the seventies through today.

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The Complexity of the Simple, L&M Arts, New York, NY

  Installation view December 1, 2007 — January 31, 2008 L&M Arts presents The Complexity of the Simple, an exhibition of more than twenty important works by twenty artists of international renown. The show demonstrates the broad range open to a systematic abstraction viewed over nearly five decades. Artists represented include such mid-century masters as Mark Rothko, Agnes Martin, Ellsworth Kelly and Josef Albers, and also critical figures of more recent date such as Felix […]

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Dynamic Impulse: The Drawings of Stuart Davis, Hollis Taggart Galleries, New York, NY

  Stuart Davis, Configuration, 1932 Gouache and traces of pencil on paper, 11 x 14 inches November 28, 2007 — January 12, 2008 Hollis Taggart Galleries presents Dynamic Impulse: The Drawings of Stuart Davis, an exhibition of approximately sixty works that will examine the artist’s drawings from as early as 1909 to the year of the artists death in 1964. This important exhibition will offer a compelling opportunity to study Davis’s drawings and to understand […]

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Olle Bærtling: A Modern Classic, Steidl/Swedish Books/Moderna Museet, 2007

    Purchase on Amazon.com As a concrete-abstract painter during the 1950s and 60s, Olle Bærtling (1911-1981) developed a personal pictorial universe, while also occupying a firm position among the “Salon des Realités Nouvelles” and Galerie Denise René in Paris. His work was highly influential to American Op artists and Minimalists like Donald Judd.  Introduction by Ustvedt Nilsson, John Peter Øystein. Text by David Birnbaum, Daniel Raskin.  Price $40.

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Alan Saret: Gang Drawings, The Drawing Center, New York, NY

  Alan Saret, Sana Whirl Will, 1983 Colored pencil on paper November 9, 2007 — February 7, 2008 Alan Saret: Gang Drawings marks the first major museum exhibition of Saret’s work in 17 years. Saret was a vital part of the Soho alternative art scene in the late 1960s and 70s, as well as an important figure in the history of process art and post-minimal art. The exhibition will focus on the artist’s “gang drawings,” […]

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Moriko Mori: Tom Na H-iu, Deitch Projects, New York, NY

  Moriko Mori, Tom Na H-iu, 2005-2006 Glass steel and LED lights, 180 x 62 x 20 inches, edition of 2 November 8 — December 22, 2007 Deitch projects presents Tom Na H-iu, an exhibition of new work by Mariko Mori. The title of the exhibition draws its name from the monumental 4.5 meter sculpture, which will be exhibited along with two other large-scale sculptures, Flatstone and Roundstone. The works develop Mori’s continued interest in […]

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Australia: Contemporary Non-Objective Art, Gesellschaft für Kunst und Gestaltung e.V., Bonn, Germany

  December 1, 2007 — January 20, 2008 Developed in collaboration between raum 2810 and Gesellschaft für Kunst und Gestaltung e.V., this is the first survey exhibition of Australian non-objective art in Germany and includes 17 artists.  Participating artists: Justin Andrews, Daniel Argyle, Richard Dunn, Michael Graeve, Billy Gruner, Melinda Harper, Andrew Huston, Kyle Jenkins, Sarah Keighery, Melanie E. Khava, Andrew Leslie, John Nixon, Robert Owen, Kerrie Poliness, Trevor Richards, Quentin Sprague and David Thomas. […]

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Art Market Watch: Victor Vasarely, by Deborah Ripley, Artnet Magazine, December 11, 2007

  Victor Vasarely, Teke, 1956-60 $348,000, Christie’s New York, May 17, 2007 “In 1965, following his starring role in the Museum of Modern Art’s now-famous The Responsive Eye exhibition, Hungarian artist and Op Art inventor Victor Vasarely (1906–1996) became an international art superstar. For the next 15 years, the public’s appetite for Vasarely’s dizzying designs seemed insatiable. In an effort to meet demand, as well as to bring his art to the masses, he maintained […]

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Und Jetzt, IS & Le Petit Port, Leiden, The Netherlands

  Installation view with work by Kyle Jenkins December 8, 2007 — January 15, 2008 The inaugural exhibition at IS featuring international artists Richard van der Aa, Justin Andrews, Sanne Bruggink, Christoph Dahlhausen, Matthew Deleget, Iemke van Dijk, Jasper van der Graaf, Billy Gruner, Clemens Hollerer, Kyle Jenkins, Sarah Keighery, Gracia Khouw, Arjan Janssen, Maike Mei Lan, Rossana Martinez, Jan van der Ploeg, Perry Roberts, Tilman, Jan Maarten Voskuil and Guido Winkler.  Includes original texts […]

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Lynne Harlow: BEAT

Installation view

December 2007

New York City and Providence-based artist Lynne Harlow presents BEAT, which translates an earlier work, Lena's Beat, from an intimate wall piece to a large-scale installation and performance. BEAT combines specific, yet inherently unrelated elements: color and music. The performance will take place on Saturday, December 8, from 4-6pm, and will consist of two hours of solo drumming by various volunteer musicians.

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Can You Dig It?, by Jerry Saltz, Artnet Magazine, December 3, 2007

  New York Magazine art critic Jerry Saltz reviews Urs Fischer’s You at Gavin Brown’s Enterprise. “Urs Fischer has reduced Gavin Brown’s Enterprise to a hole in the ground, and it is one of the most splendid things to have happened in a New York gallery in a while. Experientially rich, buzzing with energy and entropy, crammed with chaos and contradiction, and topped off with the saga of subversion that is central both to the […]

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Sara Schnadt: Connectivity, Museum of Contemporary Art, Chicago, IL

  December 8-30, 2007 A web developer and performance installation artist, Sara Schnadt is creating a network built from an impressive quantity of vividly-colored found and donated fiber material (string, thread, twine, and wire) that represents the “new collective activity” of creating and sharing information online. She will be performing in the gallery for three days a week to plot the network onto and between two large maps across the space. One map shows a […]

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